Author: Ryan Foy

  • ARTISTIC VENUES // THE BURDENS AND THE BENEFITS

    ARTISTIC VENUES // THE BURDENS AND THE BENEFITS

    Season 2, Episode 2: ARTISTIC VENUES // THE BURDENS AND THE BENEFITS

    “I don’t know, a single venue operator in the indie scene that doesn’t want to make their space more affordable for the people to use it. We all want that.” – Randi Berry

    Access to affordable space has always been a concern for New York City theatre makers; this episode shines the spotlight on some visionary leaders who recognized the need for more artistic space and decided to do something about it! Despite some closures during the COVID-19 lockdown and ever-rising real estate costs, the story of New York City’s artistic venues may actually be one of evolution and rebirth. 

    Tune in as leaders from Brooklyn Art Haus, IndieSpace, and People’s Theatre Project discuss breaking ground on new real estate ventures, their place in their communities, and how they balance affordability with the need to financially sustain their space!

    Randi Berry

    Randi Berry is an indie theater maker and organizer with over 20 years of dedicated service to the performing arts community. As the Executive Director of IndieSpace, she oversees radically transparent, equity-focused funding, real estate programs, and advocacy for individual artists, theater companies, and indie venues. She is dedicated to removing barriers to access, coalition building and partnerships. Her leadership led to the merger of Indie Theater Fund and IndieSpace in 2022, which together has provided over $2.5M in direct funding and countless hours of professional development and real estate advisory and consulting for the indie theater community.

    Isaac Bush

    Isaac Bush is an award-winning international performer and practitioner based in New York City. Bush is the Founder and Executive Director of Brooklyn Art Haus, and Founder and Artistic Director of The Circle Theater of New York (CTNY) and SMPL MCHN (Simple Machine). Under Isaac’s leadership these companies have built ensembles of artists that create work geared toward social activism and cross-cultural engagement, often presented in site- specific locations. CTNY has premiered and toured both domestic and international titles including an adaptation of Woyzeck, premiere of FLASH FLASH BANG BOOM, premiere of The MOUNTAIN, premiere of Trail of Crumbs and Strangers with the National Theater of Luxembourg (TNL), premiere of the movement-based creation entitled Wellspring in London. His work has been seen in NYC, across Europe, Brazil, and China with numerous collaborators and producing organizations. As a performer Isaac has worked both internationally and regionally in the U.S., on tour, and extensively in his home base of New York City. Bush holds an MA from the Royal Academy of Dramatic Art (RADA), BA from Hope College, Certificate from the British-American Drama Academy, and Certificate from the GLCA New York Arts Program. Upcoming work includes the June 2024 premiere of Lone Wolf that will tour New York City, London, Luxembourg, and Croatia, and Unseen in September 2024. Bush continues to serve as a performer, director, and workshop instructor for devised performance and ensemble building methodologies.

    More information is available by visiting:
    www.isaac-bush.com
    www.circletheaterny.org
    www.smpl-mchn.com

    Mino Lora

    Born and raised in the Dominican Republic, People’s Theatre Project’s Founding Executive Director Mino Lora has been living and working as a theatre artist, activist, educator, and arts administrator in NYC since 2000. She has worked with young people in NYC, Dominican Republic and South Africa and been a guest lecturer and speaker at Yale University, The New School, Columbia University, Fordham University, City College and SUNY Potsdam. At PTP, she is responsible for company oversight, government and community relations, funder cultivation, and board and public relations. BA, English Literature and Theatre, Manhattanville College; MA, Peace Studies and Conflict Transformation, The Graduate Institute; Certificate in Nonprofit Management (CUNY)

    David E. Shane

    David E. Shane (he/him/his) is a director and arts administrator who is currently the Director of Program Services for A.R.T./New York where he sets the strategic vision and goals for a robust suite of programs serving 450+ New York nonprofit theatre organizations and a growing number of individual members. Since joining the organization in early 2019, David has overseen the development of new adaptive programming such as a theatre-specific Sexual Harassment Prevention Training. As a director he specializes in the development and production of new work for the American stage and his credits include the Off-Broadway productions of Gidion’s Knot (TheatreRow,) Mare In The Men’s Room (Am. Theatre of Actors,) as well as the World Premiere productions of Who Is Theo?, Cookie Fight, and Elijah at the Bristol Valley Theater. Prior to joining A.R.T./New York, David held positions as the Program Director for StageSource in Boston, MA and Associate Artistic Director of the Bristol Valley Theater in Upstate, NY where he oversaw the funding and launch of the BVT New Works Initiative.

    Ashley J. Hicks

    Ashley J. Hicks (a.k.a. Ash, she/her) works currently as a Programs Coordinator for A.R.T./New York.  Ash is an actor, writer, solo performer & teaching artist. She received her MFA from the American Conservatory Theater (A.C.T.) in 2021 and was a participant in the 2022 Disney Television Discovers: Talent Showcase. To learn more about Ashley and her past/recent projects, please visit www.ashley-j-hicks.com

    Nicky Maggio

    Nicky Maggio or “N” (they/them) currently serves as Programs Manager at A.R.T/New York. N is a freelance theatrical curator with a focus on new play development and directing. Originally born in southeast Massachusetts, Nicky received their B.F.A. at Emerson College and then completed their M.F.A in Directing at The New School. For more information on their artistic projects, visit www.nmaggio.com @nickymaggio

    Additional Links:

    “What’s Off?” Production Staff
    David E. Shane, Executive Producer
    Erica Wray Barnes, Associate Producer
    Ashley J. Hicks and Nicky Maggio, Line Producers
    Catalin Media, Audio Engineer
    Devon Adams, Art Director/Graphic Design

    If you’d like to receive new episodes as they’re published, please subscribe to “What’s Off?” wherever you get your podcasts. If you enjoyed this episode, please consider leaving a review. It really helps others find the show.

  • SAM MORREALE // MAKING THE REVOLUTION IRRESISTIBLE

    SAM MORREALE // MAKING THE REVOLUTION IRRESISTIBLE

    Season 2, Episode 9: SAM MORREALE // MAKING THE REVOLUTION IRRESISTIBLE

    “Facilitation is at the core of my practice. I’m conscious of the sociopolitical reality that we might be facing under any given circumstance and one of my superpowers is to help name the patterns that we’re seeing in rehearsal rooms, so that we might be in better relationship with them.” – Sam Morreale

    As a multi-hyphenate theatremaker, dramaturg, and Associate Producer at Soho Rep, Sam Morreale inhabits many spaces within the theatrical field. They are guided by the words of Toni Cade Bambara, holding dear the idea that “the role of the artist is to make the revolution irresistible” – and Sam’s role is to hold space so that theater artists can bring their fullest selves into the rehearsal room.

    Tune in as host Nicky Maggio chats with Sam about their artistic ethos, their work as a consultant, artist, and facilitator, as well as what it means to be an “accountability partner.”

    Sam Morreale

    Sam Morreale (they/them) is currently the Associate Producer at Soho Rep. With facilitation at the core of their practice, they’ve had a blossoming career as a creative producer working with many companies including Baltimore Center Stage, Long Wharf Theatre, New York Stage and Film/Powerhouse, The Prelude Festival, Mixed Blood Theatre, Penumbra Theatre, and Theater Communications Group. In addition, Sam has developed a portfolio of consulting work in strategy planning, institutional alignment, and cultural change with arts organizations such as Center Theater Group, The New Harmony Project, Ars Nova, Boston Court Pasadena, A.R.T./NY, New Georges, and The Acting Company. Sam nurtures their artistic practice in rehearsal rooms as a dramaturg, director, and culture shaper constantly seeking to break down dissonance between artist and institution. B.A. Wesleyan University, Theater and Science in Society. @smorreale_reckons

    Nicky Maggio

    Nicky Maggio or “N” (they/them) currently serves as Programs Manager at A.R.T/New York. N is a freelance theatrical curator with a focus on new play development and directing. Originally born in southeast Massachusetts, Nicky received their B.F.A. at Emerson College and then completed their M.F.A in Directing at The New School. For more information on their artistic projects, visit www.nmaggio.com @nickymaggio

    Ashley J. Hicks

    Ashley J. Hicks (a.k.a. Ash, she/her) works currently as a Programs Coordinator for A.R.T./New York.  Ash is an actor, writer, solo performer & teaching artist. She received her MFA from the American Conservatory Theater (A.C.T.) in 2021 and was a participant in the 2022 Disney Television Discovers: Talent Showcase. To learn more about Ashley and her past/recent projects, please visit www.ashley-j-hicks.com

    Additional Links:

    “What’s Off?” Production Staff
    David E. Shane, Executive Producer
    Erica Wray Barnes, Associate Producer
    Ashley J. Hicks and Nicky Maggio, Line Producers
    Dante32, Audio Engineer
    Devon Adams, Art Director/Graphic Design

    If you’d like to receive new episodes as they’re published, please subscribe to “What’s Off?” wherever you get your podcasts. If you enjoyed this episode, please consider leaving a review. It really helps others find the show.

  • Announcing The 2024 Creative Opportunity Fund Recipients

    The New York State Council on the Arts (NYSCA) and the Alliance of Resident Theatres/New York (A.R.T./New York) are thrilled to announce the 71 recipients of the 2024 NYSCA-A.R.T./New York Creative Opportunity Fund (A Statewide Theatre Regrant Program). Through this regrant program, $240,000 was distributed via flexible, general operating support grants to small theatres across New York State

    Recipients of the Creative Opportunity Fund were determined by a panel of theatre-makers from New York City and across the state. Nominations for panelists were solicited from the community, and 20 panelists met virtually to score and allocate funding for the 163 applicants. 

    A.R.T./New York is thrilled to partner for the seventh year with the New York State Council on the Arts to continue to build and strengthen the theatrical field statewide. 

    “New York’s nonprofit theaters are both artistic think tanks and an essential cornerstone of our world-renowned arts and culture sector,” said Erika Mallin, Executive Director of the New York State Council on the Arts. “Through this program with A.R.T./New York, I am so pleased that critical funding will reach 71 of these theaters across the State with flexible operating support. A round of applause to all of the grantees, along with our admiration for the incredible work that you do.”


    NYC Recipients of the 2024 Creative Opportunity Fund:

    Bond Street Theatre

    Broken Box Mime Theater

    Brooklyn Youth Company

    Chez Bushwick, Inc.

    Creative Stage Collective

    Crossing Jamaica Avenue

    Dancers Unlimited

    EXILED TONGUES

    Experimental Theatre Project Inc. (dba WOW Cafe Theater)

    Felice Lesser Dance Theater

    GLG

    Grand Pistachio

    Group BR Limited

    Hamlet Isn’t Dead

    Hedgepig Ensemble Theatre, Inc.

    Infinite Variety Productions

    Inheritance Theater Project

    KEVIN RAY | WORKS

    Kids Creative Collective, Inc.

    Killer Queen Opera

    KPC – Keeping People Connected

    La Troupe Makandal, Inc.

    Latinx Playwrights Circle

    Little Red Light Theatre

    Mass Transit Street Theater

    Naked Angels Theater Company

    New Ambassadors Theatre Company

    One Whale’s Tale

    PinProductions

    PlayGround-New York

    Remote Theater Project

    Roaring Epiphany Production Company (REPC)

    Rock Rising, Inc.

    Rooted Theater Company

    Stage Aurora NY

    Steps Theatre & Production Company

    The Anthropologists

    The Associates Theater Ensemble

    The Drunkard’s Wife

    The PlayGround Experiment

    The Sixth Festival

    The Sống Collective

    The Tent

    Theatre East

    Theatre Untitled

    This Is Not A Theatre Company

    Unattended Baggage

    Undiscovered Works

    Untitled Theater Company No. 61

    Village Playwrights


    Outside-NYC Recipients of the 2024 Creative Opportunity Fund:

    Adirondack Stage Rats

    American Repertory Theater of WNY, Inc

    Black Theatre Troupe of Upstate NY

    Catskill Mountain Shakespeare

    Delaware Valley Opera Center

    Divaria Productions

    EastLine Theatre

    Farm Arts Collective

    Lilypad Puppet Theatre

    Lucid Dream Minigolf

    Northeast Stage

    Professor Aardvark

    Quick Silver Theater Company

    Raíces Theatre Company

    The Neo-Political Cowgirls

    Triphammer Arts Inc.

    Troy Foundry Theatre

    Turkish American Repertory Theater and Entertainment

    Unique Theatre

    Walking on Water Productions (WoW)

    Will Kempe’s Players Cooperative


    Panelists for the 2024 Creative Opportunity Fund:

    Stephanie Acosta
    Interdisciplinary Artist, Director and Activist

    Pascale Armand
    Quick Silver Theater Company

    Samantha Blain
    Co-Artistic Director at Hit The Lights! Co.

    Kristoph DiMaria
    Cofounder, Director of Development, Musical Director at Will Kempe’s Players Cooperative

    Janelle Garcia Domig (& Chris Domig)
    General Manager & Artistic Director, SeaDog Theater

    Jalissa Fulton
    Actress | Artistic & Community Programming Partner w/The Anthropologists Theater Co.

    Marianne Goodell
    Managing Director, Headwall Theatre Company

    Carrie Heitman
    Artistic Director, Hook & Eye Theater

    Hannah Johnson-Walsh
    Executive Director at Emit Theatre

    Tannis Kowalchuk
    Artistic Director, Farm Arts Collective

    Stacey Linnartz
    Actor, Producer, Teaching Artist

    Brendan Bo O’Connor
    Creator & Director, Lucid Dream

    Azure D. Osborne-Lee
    Theatre Maker

    Dolores Avery Pereira
    Artivist and Theater Maker

    Camilo Quiroz-Vázquez
    Co-Founder of One Whale’s Tale

    Peter Royston
    Stage Manager and Accessibility Advisor

    Jasmine Rush
    Actress/Director, company member for Quick Silver Theater Company and
    The Grove Theater NYC, Inc.

    Suzette Simon
    Joker-in-Chief / Laughter Mastermind at NYLaughs

    Leigh Walter
    Executive Creative Producer, Trusty Sidekick Theater Company

    Malka Wallick
    Actor-Writer-Producer & Founder at Girl Gang Production(s)


    The mission of the New York State Council on the Arts is to foster and advance the full breadth of New York State’s arts, culture, and creativity for all. To support the ongoing recovery of the arts across New York State, the Council on the Arts will award $127 million in FY 2024, serving over 2,000 arts organizations and artists across all 10 state regions. The Council on the Arts further advances New York’s creative culture by convening leaders in the field and providing organizational and professional development opportunities and informational resources. Created by Governor Nelson Rockefeller in 1960 and continued with the support of Governor Kathy Hochul and the New York State Legislature, the Council is an agency that is part of the Executive Branch. For more information on NYSCA, please visit www.arts.ny.gov, and follow NYSCA’s Facebook page, on X @NYSCArts and Instagram @NYSCouncilontheArts.

  • Announcing The FY24 Edith Lutyen & Norman Bel Geddes Design Enhancement Fund Recipients

    A.R.T./New York is proud to announce the FY24 recipients of the Edith Lutyens and Norman Bel Geddes Design Enhancement Fund! The following eight companies received a total of $75,750 for their productions.

    Houses on the Moon Theater Company // Hotel Happy

    To support Matt Acheson’s design and building of a beautiful, expressive, functional and durable donkey puppet for Camilo Almonacid’s Hotel Happy

    KEVIN RAY | WORKS // WE

    To support immersive projections for a devised play based on Russian author Yevgeny Zamyatin’s 1921 science fiction dystopian novel WE

    Krymov Lab NYC // Onegin

    To support the creation of 200 puppets for the performance of Onegin (In our Own Words).  

    Red Snapper Productions // Snatch Adams & Tainty McCracken Present It’s That Time of the Month

    To support puppetry and set design enhancement for Snatch Adams & Tainty McCracken Present It’s That Time of the Month, a daring, strange new work written and performed by Becca Blackwell, directed by Jess Barbagallo, with immersive production design by Greg Corbino. 

    Rooted Theater Company // Linden Park

    To support set design for a new play called Linden Park written by Brandice Peltier and Kareem Nemley. 

    Sinking Ship Productions // The Voyages of Egon Tichy

    To support building a multi-layer toy theater for The Voyages of Egon Tichy, a hybrid-in-person/digital performance adapted from two science fiction stories by Stanislaw Lem, built by Sinking Ship in collaboration with Obie award-winning Theater in Quarantine.

    Transforma Theatre // Bioadapted

    To support the task of creating an avatar embodying AI system ​GPT​-3 for Bioadapted, a theatre reenactment investigative documentary about what our future might look like if AI propagates in unethical ways that don’t serve humankind.

    Christina Masciotti’s No Good Things Dwell in the Flesh 

    To support set and costume design for the world premiere of Christina Masciotti’s No Good Things Dwell in the Flesh. Set in a tailor shop, the vision is an abstracted workroom dominated by racks of clothing. 

    FY24 Edith Lutyens & Norman Bel Geddes

    Design Enhancement Fund Panelists

    • Rebecca Bickley Clayton, Freelance Technical Director & Scenic Carpenter
    • Sara Fellini, Artistic Director, spit&vigor
    • Joshua William Gelb, Theater in Quarantine
    • Kimberly O’Loughlin, Sound Designer
    • Ayumu “Poe” Saegusa, Freelance Lighting Designer & Production Manager
  • Announcing The Inaugural Recipients of The New York City Small Theatres Fund 

    2022 – 2024 NYC Small Theatres Fund Recipients

    The Alliance of Resident Theatres/New York and the Howard Gilman Foundation are thrilled to announce the 23 recipients of the inaugural cycle of the New York City Small Theatres Fund. Selected from an initial application pool of over 170 applications, the funded theatres will receive two years of flexible, general operating support to support the operations of their theatre companies. As New York City theatres continue to recover from the impacts of the ongoing pandemic, we are excited to be able to provide multi-year support to this vibrant and crucial segment of New York City’s cultural ecosystem. 

    The incredible small theatres funded through this year’s grant cycle represent a range of theatrical aesthetics, organizational structures, methods of working, and artistic communities served. They include theatres working with young audiences, documentary theatres, developmental companies, venues and itinerant theatres, theatres focused on serving a specific geographic or cultural community, devising ensembles, and companies consistently challenging what theatre is – and can be. 

     For some of the grantees, this funding will help push them to their next level of growth, as they continue to build resilience and capacity, while some grantees will use this support to take some space to stabilize and right-size. Adam Odsess-Rubin, Founding Artistic Director of National Queer Theatre shared, “This is our first-ever multi-year grant, an important marker in establishing our sustainability to continue providing impactful programming to LGBTQ+ artists and audiences across New York.” Congratulations to the inaugural recipients! 

    Recipients of the 2022-2024 Small Theatres Fund

    Amaterasu Za

    Amaterasu Za features talented bi-lingual theater artists exploring classic and contemporary Japanese works for Japanese and English-speaking audiences. Through our productions and ongoing training in Japanese-influenced movement and theater techniques, Amaterasu Za hopes to foster a deeper understanding between cultures, and a deeper understanding for Japanese-Americans and Japanese living in the US of their own cultural heritage that is so under-represented and misunderstood in popular culture.

    Amerinda Theater

    Amerinda’s mission is to make the indigenous perspective in the arts available to a broad audience through the creation of new work in contemporary art forms.

    Black Revolutionary Theatre Workshop

    BRTW exists to disrupt any and all oppressive systems that marginalize Black people using narrative and performance as a methodology to recenter Black people and experiences. With economic, social, educational, healthcare, housing, and political injustice facing our community, BRTW aims to tackle the issues that impact us while becoming a beacon for Black opportunity within the arts.

    Blackberry Productions

    Blackberry Productions is a Documentary Theater Company that develops and produces theater that sheds light on issues impacting our communities and brings cross-sections of the community together to encourage greater cultural awareness, compassion, and community capital.

    Emit Theatre Inc

    Emit Theatre is an immersive educational theatre company committed to creating theatrical experiences through which learners of all kinds have the freedom to explore stories through direct interactions. At our core is a dedication to inclusive learning through the arts, placing artists and audiences side by side to provide one-of-a-kind opportunities for wonder and discovery. We are committed to sharing high-quality adaptations of Shakespeare and innovative new works with diverse young audiences in non-traditional settings and ADA compliant spaces. We invite each audience member to approach our productions from their own curiosity with a high level of agency.

    Grand Pistachio

    Grand Pistachio creates original theater for young people utilizing larger than life forms of puppetry, mask, and music. Our mission is to help young audiences build empathy, see resiliency in action, and provide context for how their own stories are connected to and shaped by history. We achieve these goals by highlighting the stories of people who may not be included in history books or cultural records. Through this lens we explore the hardships of immigrant families in Layer the Walls, untapped poetic potential within ourselves in Blown Away By Poetry, and dangers of sanitation workers in City of Trash.

    IRT Theater

    IRT is a grassroots laboratory for independent theater and performance in New York City, providing space and support to a new generation of artists. IRT’s mission is to build a community of emerging and established artists by creating a home for the development and presentation of new work.

    Kyoung’s Pacific Beat

    Kyoung’s Pacific Beat (KPB) is a peacemaking theater collective dedicated to working with artists, non-artists, and local communities to transform experiences of oppression into peace messages through public performance.

    LEIMAY

    Founded in 1996, LEIMAY (CAVE Organization Inc.) is an arts organization/ensemble that stimulates dialogue on multidisciplinary performing arts; develops LUDUS (a training program in the lineage of Butoh and experimental theater); offers space and residencies; and shares creations from the LEIMAY Ensemble made by its co-directors Ximena Garnica (Colombian) and Shige Moriya (Japanese). Their activities take place at CAVE in Brooklyn and other venues in NYC, the Americas, and beyond.

    Leviathan Lab

    Founded in 2009, Leviathan Lab is an award-winning, NYC-based nonprofit creative studio whose mission is the advancement of Asian American Pacific Islander (AAPI) theatre artists and their work. Through the speaking of AAPI artists’ words, and the presentation of AAPI bodies, presence, and gestures on stage and film, Leviathan works to open spaces that promote social justice, bridge communities, and assert the power of art to change the world. We function as a lab where early-career and established AAPI artists can be courageous, experiment, and thrive as they create works that captivate the audiences we serve.

    National Queer Theater

    National Queer Theater is an innovative theater collective dedicated to celebrating the brilliance of generations of LGBTQ artists and providing a home for unheard storytellers and activists. By serving our elders, youth, and working professionals, NQT creates a more just future through radical and evocative theater experiences and free community classes.

    Nightdrive

    Nightdrive makes rigorously irreverent, demandingly vulnerable, borderline-impossible plays that use indelible moments of stagecraft to build thrillingly personal relationships with audiences, empowering them to reimagine themselves and what they’re capable of. Dispatching new, surprising ways of telling stories that we create in our hyper-collaborative playmaking process, Nightdrive chauffeurs our artists and audiences through the darkness of the world outside, the quiet horror of sharing their tenderness, and the clandestine rush of taking risks together anyway, practicing the collective compassion and boldness it will take to make a more profoundly imaginative world together in the morning.

    Noor Theatre

    Noor Theatre is an OBIE-winning company with a mission to support, develop, and produce the work of theatre artists of Middle Eastern and North African/South West Asian and North African (MENA/SWANA) descent.

    Oye Group

    Oye Group is a Brooklyn based Production Company that serves as an incubator for artists both local and immigrant to New York City. We present an eclectic mix of theater, dance, poetry, music, video installations and film, through festivals and productions. We curate work that sparks a dialogue over political and social issues critical to our community’s growth. We work with emerging artists to create, play, and grow in an environment that challenges and supports them. We also provide quality arts education programming that gives our Brooklyn Community the tools to generate forward-thinking art.

    Patty Cake Theatre

    Patty Cake Theatre’s mission is to foster educational excellence by helping to shape character through theater, film and classes thus encouraging creativity, personal growth and social responsibility. Our slogan is: “Enrichment Beyond The Classroom”

    Pioneers Go East Collective

    Since 2010, Pioneers Go East Collective inspires a lively exchange of queer art and culture by connecting people to ideas and experiences. Dedicated to performing artists who explore stories of vulnerability and courage for social change, we empower LGBTQ and Feminist artists reflecting on issues still affecting our community. The collective’s generative process has been inspired by the Walt Whitman poem, “O Pioneers!” that pays homage to the pioneers who ventured forth courageously seeking a brighter future. Similarly, the collective comprises Latinx and BIPOC immigrant artists and arts educators, taking risks and revealing stories that reflect individual strength.

    Pipeline Theatre Company

    Pipeline Theatre Company believes that an unbridled imagination is a force of magic with the power to provoke a more courageous and compassionate world.

    Rooted Theater Company

    Rooted Theater company engages, challenges, and inspires audiences through theatrical productions that range from the classics to new and emerging works; our programming encourages social consciousness through Real, Open, and Objective Theater Education. We celebrate the diversity of our community’s roots, our present struggles, and future successes through intentional theater.

    Safe Harbors NYC

    Safe Harbors focuses on the development and production of Native Theater and Performing Arts in New York City within the broader American theater; we combat stereotypes and support vibrant Native communities. We develop ongoing dialogue with Policymakers about the approach to cultural and socioeconomic issues using Theatrical performances, Performing Arts, Native Cultural Consultancy, panel discussions, and Cultural Events.

    Spiderwoman Theater

    Spiderwoman Theater’s mission is to inspire, nurture and challenge Indigenous and women theater artists and their communities to discover and explore their dreams and their futures through collective storytelling and performance through theater performance, training and cultural education rooted in an urban Indigenous performance practice.

    The Parsnip Ship

    The Parsnip Ship is a podcast play company that amplifies bold artists for audiences who crave accessible stories and storytellers. Our live events and audio podcasts are eclectic and transformative, creating communities in person and digitally. Through our work, we revolutionize the way you hear theater.

    Trusty Sidekick Theater Company

    The audience is the hero. We are their trusty sidekick. Based in New York City, Trusty Sidekick Theater Company creates bold, original productions for young people and their families. By developing new work in collaboration with young audiences as dramaturgs, every adventure is rooted firmly in the belief that kids deserve theater that ignites their imaginations and makes them think about the world in a new way.

    Yaa Samar! Dance Theatre

    Yaa Samar! Dance Theatre’s mission is to create invigorating performance and education initiatives that expand access to – and promote understanding through – the arts.

    Panelists for the 2022 – 2024 Small Theatres Fund:

    Becky Baumwoll
    Artistic Director at Broken Box Mime Theater and Associate at Arts Action Research

    Amara Brady
    Freelance Generative Artist 

    Hope Chávez
    Former Director of Artistic Planning at Long Wharf Theatre and Freelance Consultant and Facilitator

    Mashuq Mushtaq Deen
    Freelance Playwright

    Hannah Fenlon
    Consultant and Cultural Strategist

    Chelsea Fryer
    Artistic Programs Manager at The Playwrights Realm

    Ryan Gedrich
    Advancement Director at Clubbed Thumb

    Arnaldo J. López
    Managing Director at Pregones/PRTT

    Lauren Miller
    Development Director at The Bushwick Starr

    Patrice Miller
    Artistic Associate at Untitled Theater Company #61

    A.J. Muhammed
    Producer at The Fire This Time Festival and Dramaturg

    Robert Neill
    Artistic Director & Founding Ensemble Member at the New York Neo-Futurists

    Jolene Noelle
    Institutional Giving Manager at Rattlestick Theater

    Lauren Nordvig
    Programs Manager at the Brooklyn Arts Council

    Holly Sansom
    Operations Director at Theatre of the Oppressed NYC

    Martha Steketee
    Freelance Dramaturg, Critic, and Researcher

    Suzi Takahashi
    Freelance Actor and Director

    Kate Trammell
    Managing Director at the New York Theatre Barn

    Ellpetha Tsivicos
    Co-founder of One Whale’s Tale

  • NEW LEADERSHIP // TO BE OF SERVICE

    NEW LEADERSHIP // TO BE OF SERVICE

    Episode 9: NEW LEADERSHIP // TO BE OF SERVICE

    People haven’t solved the challenges we’re going to solve. People haven’t dreamed the things that we’re going to come up with. I think there is this interesting play between wanting to have reverence and appreciation and deep respect for what has come before while also [holding] that this is who I am and this is the life experience, identity, and way of moving through the world that I carry.”– Talia Corren

    Many longstanding theater organizations in New York City and across the country are experiencing changes in administrative and artistic leadership. These individuals may be new to their positions, but they bring years of experience and fresh ideas to the field and to their new theatrical homes.

    A.R.T./New York Co-Executive Director Talia Corren sat down with Amanda Feldman of Classic Stage Company and Patricia McGregor of New York Theatre Workshop to discuss their roles as new leaders of multi-decade institutions. Listen in as they share about their experiences as women in the field, what they bring to their new positions, what it’s like to lead in a co-director model, and how they each are bridging the gap between the past, present and the future.

    Amanda Feldman

    Amanda Feldman is currently the Managing Director of Classic Stage Company. Prior to this role she served as Managing Director of Page 73, where she produced five world premiere Off-Broadway productions and oversaw the finances, human resources, and marketing, as well as played a key role in strategic planning and organizational advancement. In her career, Amanda has produced new works Off-Broadway with The Foundry Theatre, En Garde Arts, The Play Company, Abrons Arts Center, and The Playwrights Realm. In 2011, she co-founded the Off Off Broadway company Neighborhood Productions to support entrepreneurial theater artists in self-producing their own works, and, for five years, she was the General Manager of the Lark Play Development Center. Feldman also led The NYC World Theatre Day Coalition until 2014, where she created and curated The Around-the-Globe Chain Play. She was the founding Managing Director of CollaborationTown and produced seven world premieres. Feldman currently serves on the board of History Matters/Celebrating Women’s Plays of the Past, and she is a WP Theatre Producer Lab alumna. BA from Tufts University.

    Patricia McGregor

    Born in St. Croix, U.S. Virgin Islands, Patricia McGregor is the Artistic Director of New York Theatre Workshop, as well as a director and writer working across disciplines. McGregor has twice been profiled by The New York Times for her direction of world premieres. She was the inaugural Artist in Residence for Arts in the Armed Forces and an Old Globe Resident Artist, as well as a Paul & Daisy Soros Fellow at Yale School of Drama.

    Talia Corren

    Talia Corren (she/her) is an experienced creative leader who is passionate about New York City’s vibrant theater ecosystem. Talia joins A.R.T./New York after six years of steering strategic and fundraising engagements with Advance NYC, where she partnered with over two dozen cultural, educational, and social service organizations across the five boroughs and beyond. At institutions ranging in size and lifecycle – from true start-up to established field leaders – Talia has collaborated with non-profit organizations at pivotal moments of growth and change, specializing in strategic planning, board development, fundraising strategy, and stakeholder engagement. Talia began her career at Playwrights Horizons before heading down the street to Signature Theatre, joining the team to close the $75M capital campaign and to plan and execute a full slate of inaugural events for the Pershing Square Signature Center. She then moved downtown to Soho Rep, where she managed all aspects of development during a time of tremendous growth. Talia also took a brief hiatus from Off-Broadway theater to launch The Uprising – a non-profit harnessing collective generosity to make our city 1% better every day – in partnership with the intrepid community builders of Mark Fisher Fitness. Talia is a proud native of Denver, Colorado, and a graduate of The University of Michigan (BFA, Musical Theater; BA, English).

    Nicky Maggio

    Nicky Maggio or “N” (they/them) currently serves as Programs Manager at A.R.T/New York. N is a freelance theatrical curator with a focus on new play development and directing. Originally born in southeast Massachusetts, Nicky received their B.F.A. at Emerson College and then completed their M.F.A in Directing at The New School. For more information on their artistic projects, visit www.nmaggio.com @nickymaggio

    Ashley J. Hicks

    Ashley J. Hicks (a.k.a. Ash, she/her) works currently as a Programs Coordinator for A.R.T./New York.  Ash is an actor, writer, solo performer & teaching artist. She received her MFA from the American Conservatory Theater (A.C.T.) in 2021 and was a participant in the 2022 Disney Television Discovers: Talent Showcase. To learn more about Ashley and her past/recent projects, please visit www.ashley-j-hicks.com

    Additional Links:

    “What’s Off?” Production Staff
    David E. Shane, Executive Producer
    Erica Wray Barnes, Associate Producer
    Ashley J. Hicks and Nicky Maggio, Line Producers
    Catalin Media, Audio Engineer
    Devon Adams, Art Director/Graphic Design

    If you’d like to receive new episodes as they’re published, please subscribe to “What’s Off?” wherever you get your podcasts. If you enjoyed this episode, please consider leaving a review. It really helps others find the show.

  • TECHNICIAN TRAINING // SENDING THE ELEVATOR BACK DOWN

    TECHNICIAN TRAINING // SENDING THE ELEVATOR BACK DOWN

    Episode 8: TECHNICIAN TRAINING // SENDING THE ELEVATOR BACK DOWN

    “There’s so many jobs out there where you can’t get the job unless you’ve had the job. Technical theater is no different. It’s about trust. It’s about safety and making sure you’re going to be able to do it when you show up.” – Mitch Mattson

    As the team at Roundabout Theatre Company considered the significant barriers to entry for potential technical theatre workers, they realized something was “off”. So, they created the Theatrical Workforce Development Program (TWDP) –  a partnership between Roundabout Theatre Company and the International Alliance of Theatrical Stage Employees (IATSE.) TWDP offers participants hands-on, work-based training in four technical disciplines and connects them directly to employment opportunities in theatres across the city. 

    In this episode, A.R.T./New York Theatre Operations Manager Sarah Lahue talks to the program leaders about how TWDP helps participants with everything from learning about self care on the job to avoiding student loan debt. Tune in to learn all about how this innovative program is helping to develop the next generation of theatrical workers.

    Njeri Baker

    Njeri Baker is a dedicated Arts Administrator with more than 7 years of theater experience across production, company management, and theater administration. She graduated from Howard University and New York University with a BFA in Theater Technology & an MA in Performing Arts Administration, respectively. Currently, she’s an Education Manager at Roundabout Theatre Company, managing their Theatrical Workforce Development Program. A program training young people in backstage theater work to diversify the technical theater industry.

    Mitch Mattson

    Mitch Mattson is the Director of Career Training and Operations at Roundabout Theatre Company – NYC’s largest not-for-profit theatre company. He leads a team of arts administrators and teaching artists fostering the next generation of dynamic theatre professionals through career and workforce development programs. His work has created partnerships with over 5 professional theatres and shops across NYC – enabling Roundabout’s Theatrical Workforce Development Program to provide training and jobs to early career technicians. He facilitates workshops and presents on theatre education topics nationally and internationally. Mitch is the recent Board Chair of the American Alliance for Theatre & Education and an alum of Coro: Leadership New York, LNY31. Previous work of his at Arena Stage in Washington, DC was sponsored by the US State Department, taking him to India to create theater with young people.

    Sarah Lahue

    Sarah Lahue has been working at the A.R.T./New York Theatres since 2018. As the Operations Manager for the Theatres, Sarah fields inquiries and helps to guide member companies and other renters through the process of booking time in the space and maintains the building calendar at large both for long and short-term rentals. She also manages the freelance Front of House Managers and is the point of contact for all front of house issues. In addition to her work at A.R.T./New York, Sarah works as a freelance stage manager both in Indie Theater and Off Broadway. She spends whatever free time is left watching horror movies.

    Nicky Maggio

    Nicky Maggio or “N” (they/them) currently serves as Programs Manager at A.R.T/New York. N is a freelance theatrical curator with a focus on new play development and directing. Originally born in southeast Massachusetts, Nicky received their B.F.A. at Emerson College and then completed their M.F.A in Directing at The New School. For more information on their artistic projects, visit www.nmaggio.com @nickymaggio

    Ashley J. Hicks

    Ashley J. Hicks (a.k.a. Ash, she/her) works currently as a Programs Coordinator for A.R.T./New York.  Ash is an actor, writer, solo performer & teaching artist. She received her MFA from the American Conservatory Theater (A.C.T.) in 2021 and was a participant in the 2022 Disney Television Discovers: Talent Showcase. To learn more about Ashley and her past/recent projects, please visit www.ashley-j-hicks.com

    Additional Links:

    “What’s Off?” Production Staff
    David E. Shane, Executive Producer
    Erica Wray Barnes, Associate Producer
    Ashley J. Hicks and Nicky Maggio, Line Producers
    Dante32, Audio Engineer
    Devon Adams, Art Director/Graphic Design

    If you’d like to receive new episodes as they’re published, please subscribe to “What’s Off?” wherever you get your podcasts. If you enjoyed this episode, please consider leaving a review. It really helps others find the show.

  • THERESA BUCHHEISTER // THE ILLUSION OF STABILITY

    THERESA BUCHHEISTER // THE ILLUSION OF STABILITY

    Episode 7: THERESA BUCHHEISTER // THE ILLUSION OF STABILITY

    “You can still be specific and have aesthetic value and have no money. The Brick is creating a way for people to say, ‘I could do this too’, and actually try it and see if it’s something they wanna do.” – Theresa Buchheister

    Since 2004, Theresa Buchheister has found themselves in a veritable slew of non-conventional New York City theatre and performance spaces. Their lifelong pursuit of creating collaborative,  experimental work has made them a beloved community leader. Today, Theresa has refocused their energy toward supporting other scrappy artists and career experimenters. Along the way, they’ve affirmed that theatre is most definitely NOT dead, and discovered that we can learn a lot by asking, “what are the barriers to participation?”

    Tune in to listen as host Nicky Maggio/N chats with Theresa about how shifting their focus allowed them to gain a new perspective on our ever tumultuous industry.

    Theresa Buchheister (they/them) is a director, writer, producer, performer and curator from Manhattan, KS. They currently operate as Artistic Director of The Brick (an experimental performance space in Brooklyn), The Exponential Festival (a January performance festival of deep fringe art) and Title:Point (16-year-old theater company specializing in oddity, slapstick and dread). Theresa also curates ?!:New Works, a works-in-progress gathering for all performance mediums. They used to run Vital Joint for 4 years, which was home to a veritable slew of alt comedy, weird dance, strange film and more. They were a part of DIY Bushwick performance venue Silent Barn for 4 years and The Ontological in St. Marks Church for 10 years. Theresa makes a living doing voice over work, directing and voicing cartoons, audiobooks and podcasts (BoyGirlDogCatMouseCheese, Pokemon, How Music Works, The Perks of Being a Wallflower, Arrow of Time, RecursiveCast, etc).

    Nicky Maggio

    Nicky Maggio or “N” (they/them) currently serves as Programs Manager at A.R.T/New York. N is a freelance theatrical curator with a focus on new play development and directing. Originally born in southeast Massachusetts, Nicky received their B.F.A. at Emerson College and then completed their M.F.A in Directing at The New School. For more information on their artistic projects, visit www.nmaggio.com @nickymaggio

    Ashley J. Hicks

    Ashley J. Hicks (a.k.a. Ash, she/her) works currently as a Programs Coordinator for A.R.T./New York.  Ash is an actor, writer, solo performer & teaching artist. She received her MFA from the American Conservatory Theater (A.C.T.) in 2021 and was a participant in the 2022 Disney Television Discovers: Talent Showcase. To learn more about Ashley and her past/recent projects, please visit www.ashley-j-hicks.com

    Additional Links:

    “What’s Off?” Production Staff
    David E. Shane, Executive Producer
    Erica Wray Barnes, Associate Producer
    Ashley J. Hicks and Nicky Maggio, Line Producers
    Catalin Media, Audio Engineer
    Devon Adams, Art Director/Graphic Design

    If you’d like to receive new episodes as they’re published, please subscribe to “What’s Off?” wherever you get your podcasts. If you enjoyed this episode, please consider leaving a review. It really helps others find the show.

  • REBECCA KELLYG // HARMONIZING WITH THE SELF 

    REBECCA KELLYG // HARMONIZING WITH THE SELF 

    Episode 6: REBECCA KELLYG // HARMONIZING WITH THE SELF 

    “I really believe the more comfortable a person is with themselves – your own discomforts, your own challenges, your own pain, your own needs – the more able you are to listen and receive when other people are expressing theirs.” – Rebecca KellyG

    Rebecca KellyG went from being a musical theatre college student to a civil rights attorney. Along the way, she noticed some things that felt similarly “off” about these vastly different spaces. Through establishing an artistic practice as a healing artist and facilitator, Rebecca learned that in order to challenge systems, we must first harmonize with the self for both personal and collective liberation. 

    Tune in to listen as A.R.T./New York Co-Excutive Director Risa Shoup chats with Rebecca about her journey and how she found resilience by reigniting her passion for performance and soundscape artistry.

    Rebecca KellyG (she/her) supports individuals and groups to challenge conditioned beliefs, embrace accountability, and cultivate self-love for our personal and collective liberation. 

    She is particularly invested in working with people of color to shed internalized racial oppression and its expression in BIPOC organizational practices and culture. In addition to facilitating organizational retreats and mediation, Rebecca is a sound artist and speaker. In a unique blend of public speaking and performance, she weaves vocal harmonies with percussive sounds to create meditative soundscapes accompanied by story-telling and affirmations. Rebecca has shared her sounds with spaces such as, The United State of Women, La MaMa Galleria, Theatre Communications Group, and Flux Factory Rhizome Project. As an equity consultant, she has worked with such places as HERE Arts Center, Ensemble Studio Theatre, Leslie Lohman Museum of Art, and Yale University Art Gallery. 

    Risa Shoup

    Risa Shoup (they/them/theirs) is a Co-Executive Director of the Alliance of Resident Theatres/New York, a non-profit cultural services organization representing non-profit theaters throughout New York City and State. Risa has worked as an administrator, curator, and leader in the arts in New York City since 2005 focusing on the development of affordable artist workspace. They have extensive experience executing high-level public-private partnerships for project-based work focusing on the intrinsic and instrumental impact of the arts on community development. Risa is proud to have worked with some of New York City’s most beloved cultural institutions including chashama, BRIC, The Invisible Dog, FABnyc, and Spaceworks. Risa was a consultant on CreateNYC, New York City’s first-ever cultural plan, developed in concert between a team of consultants led by Hester Street Collaborative and the New York City Department of Cultural Affairs. They studied City and Regional Planning at Pratt Institute and are also on the boards of the Invisible Dog Art Center, Naturally Occurring Cultural Districts—NY, The New Majority, and the American LGBTQ+ Museum. They live in Brooklyn with their wife, daughter and cat.

    Ashley J. Hicks

    Ashley J. Hicks (a.k.a. Ash, she/her) works currently as a Programs Coordinator for A.R.T./New York.  Ash is an actor, writer, solo performer & teaching artist. She received her MFA from the American Conservatory Theater (A.C.T.) in 2021 and was a participant in the 2022 Disney Television Discovers: Talent Showcase. To learn more about Ashley and her past/recent projects, please visit www.ashley-j-hicks.com

    Nicky Maggio

    Nicky Maggio or “N” (they/them) currently serves as Programs Manager at A.R.T/New York. N is a freelance theatrical curator with a focus on new play development and directing. Originally born in southeast Massachusetts, Nicky received their B.F.A. at Emerson College and then completed their M.F.A in Directing at The New School. For more information on their artistic projects, visit www.nmaggio.com @nickymaggio

    Additional Links:

    My Grandmother’s Hands by Resmaa Menakem

    “What’s Off?” Production Staff
    David E. Shane, Executive Producer
    Erica Wray Barnes, Associate Producer
    Ashley J. Hicks and Nicky Maggio, Line Producers
    Catalin Media, Audio Engineer
    Devon Adams, Art Director/Graphic Design

    If you’d like to receive new episodes as they’re published, please subscribe to “What’s Off?” wherever you get your podcasts. If you enjoyed this episode, please consider leaving a review. It really helps others find the show.

  • TAVIA RIVÉE JEFFERSON // LAUNCH THE CLASS!

    TAVIA RIVÉE JEFFERSON // LAUNCH THE CLASS!

    Episode 5: TAVIA RIVÉE JEFFERSON // LAUNCH THE CLASS!

    “After the execution of George Floyd, I found myself in a lot of zoom rooms and affinity spaces where I was hearing people of color need a space or a representative to speak on our behalf when we didn’t feel safe.” – Tavia Rivée Jefferson

    After 25 years of experience in the theatre industry as a performer, Tavia Rivée Jefferson realized her very unique skill set made her a perfect fit for an emerging need in the rehearsal room, but this time, behind the table. Tavia created the role of Cultural Coordinator –  a mediator, moderator, resource, and liaison to support cultural sensitivities in the artistic space. 

    Tune in to listen as Host Ashley J. Hicks chats with Tavia about how her unique journey led her to cultural coordinating and how the question, “if not me, then who?” created an entirely new and necessary role in the theatre industry.

    Tavia Rivée Jefferson

    Tavia Rivée Jefferson is a performer, director and communication specialist. After earning her Communications degree from Chapman University, Tavia returned to the arts, performing in shows including, All Shook Up, Trav’lin, Hairspray, Beehive, HAIR, Little Shop of Horrors, Cirque du Soleil’s Michael Jackson ONE, the National Tour of Motown the Musical and Disney Theatricals workshop cast of Aida.  During the pandemic, Tavia focused her skills in interpersonal and organizational communication and cultural relations to build the specialized role of Cultural Coordinating, designed to improve cultural competency in artistic spaces.  Tavia is currently Cultural Coordinator for multiple regional, touring, West End, and Broadway productions, including To Kill a Mockingbird, Company, Hairspray and Other World at Delaware Theatre Company. Tavia Rivée Jefferson

    Ashley J. Hicks

    Ashley J. Hicks (a.k.a. Ash, she/her) works currently as a Programs Coordinator for A.R.T./New York.  Ash is an actor, writer, solo performer & teaching artist. She received her MFA from the American Conservatory Theater (A.C.T.) in 2021 and was a participant in the 2022 Disney Television Discovers: Talent Showcase. To learn more about Ashley and her past/recent projects, please visit www.ashley-j-hicks.com

    “What’s Off?” Production Staff
    David E. Shane, Executive Producer
    Erica Wray Barnes, Associate Producer
    Ashley J. Hicks and Nicky Maggio, Line Producers
    Catalin Media, Audio Engineer
    Devon Adams, Art Director/Graphic Design

    If you’d like to receive new episodes as they’re published, please subscribe to “What’s Off?” wherever you get your podcasts. If you enjoyed this episode, please consider leaving a review. It really helps others find the show.