Category: Podcasts

  • GEORGE STRUS // ASK ANYWAY

    GEORGE STRUS // ASK ANYWAY

    Season 2, Episode 6: GEORGE STRUS // ASK ANYWAY

    “ I do consider myself an artist as a producer. It’s about matchmaking. It’s about having clarity of vision. It’s about how you navigate people and personalities.”  – George Strus

    After noticing a major gap in theater initiatives for trans and nonbinary theatermakers, George Strus set out to make a festival to support transgender, non-binary, and Two-Spirit+ (TNB2S+) theatermakers. The festival grew into a new work program that soon had an advisory board, partnerships across the country, and turned George into a Broadway producer with a recent credit on Cole Escola’s Oh, Mary! Tune in as host Nicky Maggio chats with George about how BTB came to be, asking for what you need, and producing as an art.

    George Strus

    George Strus, (they/them) is a Tony Award-nominated and Obie Award-winning Latiné producer and dramaturg based in New York. They founded Breaking the Binary Theatre: a new work development and community building hub for transgender, non-binary, and Two-Spirit+ (TNB2S+) theatermakers. Since BTB’s launch in July of 2022, the organization has paid out over $650,000 to over 500 TNB2S+ artists. George is also the Founding CEO of theatrical production company Benson Drive Productions. Projects in development include Amber Ruffin’s BIGFOOT, Stephen Sondheim’s THE FROGS (Off-West End), and more to be announced. Their independent co-producing credits include OH, MARY!, ILLINOISE (Tony nomination), Stephen Sondheim’s HERE WE ARE, ROMEO + JULIET, and more. They were awarded the 2024 Prince Fellowship and are a member of the 2025 Shubert Organization Artistic Circle. www.georgestrus.com

    Nicky Maggio

    Nicky Maggio or “N” (they/them) currently serves as Programs Manager at A.R.T/New York. N is a freelance theatrical curator with a focus on new play development and directing. Originally born in southeast Massachusetts, Nicky received their B.F.A. at Emerson College and then completed their M.F.A in Directing at The New School. For more information on their artistic projects, visit www.nmaggio.com @nickymaggio

    Ashley J. Hicks

    Ashley J. Hicks (a.k.a. Ash, she/her) works currently as a Programs Coordinator for A.R.T./New York.  Ash is an actor, writer, solo performer & teaching artist. She received her MFA from the American Conservatory Theater (A.C.T.) in 2021 and was a participant in the 2022 Disney Television Discovers: Talent Showcase. To learn more about Ashley and her past/recent projects, please visit www.ashley-j-hicks.com

    Additional Links:

    “What’s Off?” Production Staff
    Erica Wray Barnes, Associate Producer
    Ashley J. Hicks and Nicky Maggio, Line Producers
    Dante32, Audio Engineer
    Devon Adams, Art Director/Graphic Design

    If you’d like to receive new episodes as they’re published, please subscribe to “What’s Off?” wherever you get your podcasts. If you enjoyed this episode, please consider leaving a review. It really helps others find the show.

  • THEATRE ADVOCACY PROJECT// DEFINING HR FOR THE ARTS

    THEATRE ADVOCACY PROJECT// DEFINING HR FOR THE ARTS

    Season2, Episode 5: THEATRE ADVOCACY PROJECT// DEFINING HR FOR THE ARTS

    “Luckily there are a lot more organizations now who are supporting this kind of work and I think that has really been a gift. We have banded together and recognized that there is a great need, that there’s space for all of us to exist. If we uplift each other’s work, we will create real systemic change together.” – Caylin Waller

    Caylin Waller, Co-Founder and Executive Director of the Theatre Advocacy Project, is a passionate lifelong learner and a fierce advocate for creating braver spaces that combat harmful behaviors in the theatrical workplace. Drawing from her personal experiences and extensive research, Caylin empowers organizations to enhance their Human Resources practices by offering tailored resources and hands-on training for both staff and individual artists.

    Join host Ashley J. Hicks as she engages with Caylin about the origins of her organization and explores how the first crucial step toward fostering a healthy and proactive theatrical environment is collective empowerment. 

    CW: sexual assault, workplace harm

    Caylin Waller

    Caylin Waller, Executive Director and Co-Founder of Theatre Advocacy Project (TAP), has led award-winning research on building accountable practices in theatre. She holds an M.A. in Performing Arts Administration from NYU Steinhardt, was selected Distinguished Graduate for Outstanding Contribution to the Field of the Arts, and currently serves as an inaugural Expert in Residence for her former program. Caylin speaks regularly on her industry research and startup knowledge. She was a featured panelist at the NYU event titled Curtain Up: Spotlight on Financial and Social Sustainability for the Performing Arts alongside leaders from Lincoln Center and Brooklyn Academy of Music, as well as a panelist at the NYU Entrepreneurial Festival event Women Entrepreneurs Responding to Pressing Needs. She was a 2022 grant recipient of the Mark & Debra Leslie Fellows grant through the NYU Female Founders Fellowship program. Outside of her work in the arts, Caylin works in early childhood education as both an educator and Diversity, Equity, Inclusion, and Social Justice Coordinator.

    Ashley J. Hicks

    Ashley J. Hicks (a.k.a. Ash, she/her) works currently as a Programs Coordinator for A.R.T./New York.  Ash is an actor, writer, solo performer & teaching artist. She received her MFA from the American Conservatory Theater (A.C.T.) in 2021 and was a participant in the 2022 Disney Television Discovers: Talent Showcase. To learn more about Ashley and her past/recent projects, please visit www.ashley-j-hicks.com

    Additional Links: 

    “What’s Off?” Production Staff
    David E. Shane, Executive Producer
    Erica Wray Barnes, Associate Producer
    Ashley J. Hicks and Nicky Maggio, Line Producers
    Dante32, Audio Engineer
    Devon Adams, Art Director/Graphic Design

    If you’d like to receive new episodes as they’re published, please subscribe to “What’s Off?” wherever you get your podcasts. If you enjoyed this episode, please consider leaving a review. It really helps others find the show.

  • WHAT’S OFF? REWIND

    WHAT’S OFF? REWIND

    Season 2, Episode 4: WHAT’S OFF? REWIND

    To help build community, and to best support collaboration and resource sharing, A.R.T./New York hosts semi-annual membership convenings.These multi-day gatherings foster collective learning, relationship building, and solution sharing across the Off and Off-Off Broadway sector. In this special episode of What’s Off?, hosts Nicky Maggio and Ashley J. Hicks take a trip down memory lane to highlight some of their favorite moments from our 2023 Fall Forum and 2024 Spring Summit. 

    First, they revisit clips from a panel discussion on “Marketing and Audience Development” featuring an array of perspectives on what’s working, what’s not, and what new strategies we might try in order to best reach and engage our audiences.  Then, we listen to clips from “The Advocators: Forging Paths to Better Pay!” – a discussion between freelance artists and workers who are advocating for pay equity in new and impactful ways.

    Tune in to this special episode where we shine the spotlight on field innovators, recorded live and in conversation with each other!

    Ashley J. Hicks

    Ashley J. Hicks (a.k.a. Ash, she/her) works currently as a Programs Coordinator for A.R.T./New York.  Ash is an actor, writer, solo performer & teaching artist. She received her MFA from the American Conservatory Theater (A.C.T.) in 2021 and was a participant in the 2022 Disney Television Discovers: Talent Showcase. To learn more about Ashley and her past/recent projects, please visit www.ashley-j-hicks.com

    Nicky Maggio

    Nicky Maggio or “N” (they/them) currently serves as Programs Manager at A.R.T/New York. N is a freelance theatrical curator with a focus on new play development and directing. Originally born in southeast Massachusetts, Nicky received their B.F.A. at Emerson College and then completed their M.F.A in Directing at The New School. For more information on their artistic projects, visit www.nmaggio.com @nickymaggio

    EPISODE INFORMATION

    From the 2023 Fall Forum, Moving Through Together, the Marketing and Audience Development panel discussion was live streamed in partnership with Transcend Streaming and HowlRound on Wednesday, October 25, 2023.  

    Panelists:

    Bryan Joseph Lee, CNTR Arts
    Fernando Masterson, Ars Nova
    Tom O’Connor, Tom O’Connor Consulting Group
    Beth Prevor, HandsOn
    David E. Shane, Director of Program Services, A.R.T./New York, Moderator

    From the 2024 Spring Summit, UNCHARTED: Leading Beyond The Path,The Advocators: Forging Paths to Better Pay! A Panel Discussion was live streamed in partnership with Transcend Streaming and HowlRound on Wednesday, June 5th, 2024 


    Panelists:

    Joanna Carpenter, Actor
    Ife Olujobi, Playwright
    Emma Orme, Producing Director of The TEAM
    Barbara Samuels, Lighting Designer and Producer
    Sam Morreale, Associate Producer at Soho Rep, Moderator

    “What’s Off?” Production Staff
    David E. Shane, Executive Producer
    Erica Wray Barnes, Associate Producer
    Ashley J. Hicks and Nicky Maggio, Line Producers
    Dante32, Audio Engineer
    Devon Adams, Art Director/Graphic Design

    If you’d like to receive new episodes as they’re published, please subscribe to “What’s Off?” wherever you get your podcasts. If you enjoyed this episode, please consider leaving a review. It really helps others find the show.

  • ARTIFICIAL INTELLIGENCE // CONDUIT TO MAGIC

    ARTIFICIAL INTELLIGENCE // CONDUIT TO MAGIC

    Season 2, Episode 3: ARTIFICIAL INTELLIGENCE // CONDUIT TO MAGIC

    “Can AI make art? The answer is, I don’t know. Actually, that is my stance because it feels so personal and subjective and there are so many different nuances for how that can be interpreted to begin with.” -Will Lowry

    Artificial Intelligence (AI) is beginning to shake up nearly every creative industry, and live theatre is no exception. From generative world building to revamping the way the audiences engage with the work, this revolutionary new technology is pushing the boundaries of what is possible.

    In this episode, A.R.T./New York’s z. Quinn Reynolds interviews actor, creator and director Tjaša Ferme and multi-disciplinary designer Will Lowry about their individual experiences using AI in their work, how AI is reshaping live theater, as well their hopes (and fears) for the future of AI.

    Tjaša Ferme

    Tjaša Ferme (she/her) is an award-winning actor, creator and NYSCA-awarded director who has received a Slovenian National Film Award and Stane Sever classical stage award. The Founding Artistic Director of Transforma Theatre, she created The Female Role Model Project, blending interactive theatre with neuroscience, premiering Off-Broadway at 3-Legged Dog and produced at Edinburgh Fringe (NYITA nomination for Outstanding Innovative Design and Fast Company’s honorary mention for World Changing Ideas Awards). In 2021 Ferme founded the sold-out Science in Theatre Festival covered by Forbes and American Theatre Magazine. Tjasa is the creator of the short film Ophelia’s Flip (Cannes Film Festival, 2012), farce stage hit Cocktales – Confessions of a Nymphomaniac (Abingdon Theatre, Miami Art Basel), and interactive solo shows, Wild Child in the City and My Marlene (HERE). She recently created and directed Bioadapted, hailed by the New York Times as “maverick creativity” and “sleekly designed, thoughtfully assembled.

    Will Lowry

    Will Lowry (he/him) is a multidisciplinary designer, an Associate Professor of Theatre at Lehigh University (PA), and a Creative Partner with Flux Theatre Ensemble (NYC). He received his MFA in Design from UNC Greensboro and a BA in Theatre Arts/Computer Science from Furman University. He has created scenic, costume, media, and lighting designs for theatres along the East Coast and beyond, including Dupont Underground (DC), Lantern Theater Company (Phila.), The Warehouse Theatre (SC), Mill Mountain Theatre (VA), Playhouse on Park (CT), California Theatre Center (CA), and the Sydney Opera House (AUS). In NYC, he designed over twenty off-off Broadway productions, and he contributed to multiple Broadway productions as a studio assistant. He has experimented with incorporation of AI into his design process for over two years. He presented on the intersection of AI and Theatre at SETC in 2023 and 2024, and he co-taught a first-year seminar at Lehigh that centered around AI-driven theatre-making.

    z. Quinn Reynolds

    z. Quinn Reynolds (they/she) is a writer/musician/director living and working in Brooklyn, New York. Quinn spent their formative years making indie kung-fu movies with their family inspired by the classic tale “Journey to the West.” Since then, they’ve moved on to making stories for stage, screen, and beyond. They have an obsession with blending their love of Sci-fi, Fantasy, Music and Horror into hyper-charged hysterical shows. Their past projects include: Purchase Late Night (2016-2020), The Super Hero Night Series (2017-2022), Marooned (2022), Blood Countess(Original Music, 2023), and GRIND(2023). Quinn also produces and performs music under their artist name: Mamsir. Their latest self produced EP “That’s going on the fridge” is streaming on all platforms. Outside of their artistic career, Quinn is the Manager of Studio Operations at A.R.T./New York.

    Nicky Maggio

    Nicky Maggio or “N” (they/them) currently serves as Programs Manager at A.R.T/New York. N is a freelance theatrical curator with a focus on new play development and directing. Originally born in southeast Massachusetts, Nicky received their B.F.A. at Emerson College and then completed their M.F.A in Directing at The New School. For more information on their artistic projects, visit www.nmaggio.com @nickymaggio

    Ashley J. Hicks

    Ashley J. Hicks (a.k.a. Ash, she/her) works currently as a Programs Coordinator for A.R.T./New York.  Ash is an actor, writer, solo performer & teaching artist. She received her MFA from the American Conservatory Theater (A.C.T.) in 2021 and was a participant in the 2022 Disney Television Discovers: Talent Showcase. To learn more about Ashley and her past/recent projects, please visit www.ashley-j-hicks.com

    Additional Links:

    “What’s Off?” Production Staff
    David E. Shane, Executive Producer
    Erica Wray Barnes, Associate Producer
    Ashley J. Hicks and Nicky Maggio, Line Producers
    Dante32, Audio Engineer
    Devon Adams, Art Director/Graphic Design

    If you’d like to receive new episodes as they’re published, please subscribe to “What’s Off?” wherever you get your podcasts. If you enjoyed this episode, please consider leaving a review. It really helps others find the show.

  • ARTISTIC VENUES // THE BURDENS AND THE BENEFITS

    ARTISTIC VENUES // THE BURDENS AND THE BENEFITS

    Season 2, Episode 2: ARTISTIC VENUES // THE BURDENS AND THE BENEFITS

    “I don’t know, a single venue operator in the indie scene that doesn’t want to make their space more affordable for the people to use it. We all want that.” – Randi Berry

    Access to affordable space has always been a concern for New York City theatre makers; this episode shines the spotlight on some visionary leaders who recognized the need for more artistic space and decided to do something about it! Despite some closures during the COVID-19 lockdown and ever-rising real estate costs, the story of New York City’s artistic venues may actually be one of evolution and rebirth. 

    Tune in as leaders from Brooklyn Art Haus, IndieSpace, and People’s Theatre Project discuss breaking ground on new real estate ventures, their place in their communities, and how they balance affordability with the need to financially sustain their space!

    Randi Berry

    Randi Berry is an indie theater maker and organizer with over 20 years of dedicated service to the performing arts community. As the Executive Director of IndieSpace, she oversees radically transparent, equity-focused funding, real estate programs, and advocacy for individual artists, theater companies, and indie venues. She is dedicated to removing barriers to access, coalition building and partnerships. Her leadership led to the merger of Indie Theater Fund and IndieSpace in 2022, which together has provided over $2.5M in direct funding and countless hours of professional development and real estate advisory and consulting for the indie theater community.

    Isaac Bush

    Isaac Bush is an award-winning international performer and practitioner based in New York City. Bush is the Founder and Executive Director of Brooklyn Art Haus, and Founder and Artistic Director of The Circle Theater of New York (CTNY) and SMPL MCHN (Simple Machine). Under Isaac’s leadership these companies have built ensembles of artists that create work geared toward social activism and cross-cultural engagement, often presented in site- specific locations. CTNY has premiered and toured both domestic and international titles including an adaptation of Woyzeck, premiere of FLASH FLASH BANG BOOM, premiere of The MOUNTAIN, premiere of Trail of Crumbs and Strangers with the National Theater of Luxembourg (TNL), premiere of the movement-based creation entitled Wellspring in London. His work has been seen in NYC, across Europe, Brazil, and China with numerous collaborators and producing organizations. As a performer Isaac has worked both internationally and regionally in the U.S., on tour, and extensively in his home base of New York City. Bush holds an MA from the Royal Academy of Dramatic Art (RADA), BA from Hope College, Certificate from the British-American Drama Academy, and Certificate from the GLCA New York Arts Program. Upcoming work includes the June 2024 premiere of Lone Wolf that will tour New York City, London, Luxembourg, and Croatia, and Unseen in September 2024. Bush continues to serve as a performer, director, and workshop instructor for devised performance and ensemble building methodologies.

    More information is available by visiting:
    www.isaac-bush.com
    www.circletheaterny.org
    www.smpl-mchn.com

    Mino Lora

    Born and raised in the Dominican Republic, People’s Theatre Project’s Founding Executive Director Mino Lora has been living and working as a theatre artist, activist, educator, and arts administrator in NYC since 2000. She has worked with young people in NYC, Dominican Republic and South Africa and been a guest lecturer and speaker at Yale University, The New School, Columbia University, Fordham University, City College and SUNY Potsdam. At PTP, she is responsible for company oversight, government and community relations, funder cultivation, and board and public relations. BA, English Literature and Theatre, Manhattanville College; MA, Peace Studies and Conflict Transformation, The Graduate Institute; Certificate in Nonprofit Management (CUNY)

    David E. Shane

    David E. Shane (he/him/his) is a director and arts administrator who is currently the Director of Program Services for A.R.T./New York where he sets the strategic vision and goals for a robust suite of programs serving 450+ New York nonprofit theatre organizations and a growing number of individual members. Since joining the organization in early 2019, David has overseen the development of new adaptive programming such as a theatre-specific Sexual Harassment Prevention Training. As a director he specializes in the development and production of new work for the American stage and his credits include the Off-Broadway productions of Gidion’s Knot (TheatreRow,) Mare In The Men’s Room (Am. Theatre of Actors,) as well as the World Premiere productions of Who Is Theo?, Cookie Fight, and Elijah at the Bristol Valley Theater. Prior to joining A.R.T./New York, David held positions as the Program Director for StageSource in Boston, MA and Associate Artistic Director of the Bristol Valley Theater in Upstate, NY where he oversaw the funding and launch of the BVT New Works Initiative.

    Ashley J. Hicks

    Ashley J. Hicks (a.k.a. Ash, she/her) works currently as a Programs Coordinator for A.R.T./New York.  Ash is an actor, writer, solo performer & teaching artist. She received her MFA from the American Conservatory Theater (A.C.T.) in 2021 and was a participant in the 2022 Disney Television Discovers: Talent Showcase. To learn more about Ashley and her past/recent projects, please visit www.ashley-j-hicks.com

    Nicky Maggio

    Nicky Maggio or “N” (they/them) currently serves as Programs Manager at A.R.T/New York. N is a freelance theatrical curator with a focus on new play development and directing. Originally born in southeast Massachusetts, Nicky received their B.F.A. at Emerson College and then completed their M.F.A in Directing at The New School. For more information on their artistic projects, visit www.nmaggio.com @nickymaggio

    Additional Links:

    “What’s Off?” Production Staff
    David E. Shane, Executive Producer
    Erica Wray Barnes, Associate Producer
    Ashley J. Hicks and Nicky Maggio, Line Producers
    Catalin Media, Audio Engineer
    Devon Adams, Art Director/Graphic Design

    If you’d like to receive new episodes as they’re published, please subscribe to “What’s Off?” wherever you get your podcasts. If you enjoyed this episode, please consider leaving a review. It really helps others find the show.

  • SAM MORREALE // MAKING THE REVOLUTION IRRESISTIBLE

    SAM MORREALE // MAKING THE REVOLUTION IRRESISTIBLE

    Season 2, Episode 9: SAM MORREALE // MAKING THE REVOLUTION IRRESISTIBLE

    “Facilitation is at the core of my practice. I’m conscious of the sociopolitical reality that we might be facing under any given circumstance and one of my superpowers is to help name the patterns that we’re seeing in rehearsal rooms, so that we might be in better relationship with them.” – Sam Morreale

    As a multi-hyphenate theatremaker, dramaturg, and Associate Producer at Soho Rep, Sam Morreale inhabits many spaces within the theatrical field. They are guided by the words of Toni Cade Bambara, holding dear the idea that “the role of the artist is to make the revolution irresistible” – and Sam’s role is to hold space so that theater artists can bring their fullest selves into the rehearsal room.

    Tune in as host Nicky Maggio chats with Sam about their artistic ethos, their work as a consultant, artist, and facilitator, as well as what it means to be an “accountability partner.”

    Sam Morreale

    Sam Morreale (they/them) is currently the Associate Producer at Soho Rep. With facilitation at the core of their practice, they’ve had a blossoming career as a creative producer working with many companies including Baltimore Center Stage, Long Wharf Theatre, New York Stage and Film/Powerhouse, The Prelude Festival, Mixed Blood Theatre, Penumbra Theatre, and Theater Communications Group. In addition, Sam has developed a portfolio of consulting work in strategy planning, institutional alignment, and cultural change with arts organizations such as Center Theater Group, The New Harmony Project, Ars Nova, Boston Court Pasadena, A.R.T./NY, New Georges, and The Acting Company. Sam nurtures their artistic practice in rehearsal rooms as a dramaturg, director, and culture shaper constantly seeking to break down dissonance between artist and institution. B.A. Wesleyan University, Theater and Science in Society. @smorreale_reckons

    Nicky Maggio

    Nicky Maggio or “N” (they/them) currently serves as Programs Manager at A.R.T/New York. N is a freelance theatrical curator with a focus on new play development and directing. Originally born in southeast Massachusetts, Nicky received their B.F.A. at Emerson College and then completed their M.F.A in Directing at The New School. For more information on their artistic projects, visit www.nmaggio.com @nickymaggio

    Ashley J. Hicks

    Ashley J. Hicks (a.k.a. Ash, she/her) works currently as a Programs Coordinator for A.R.T./New York.  Ash is an actor, writer, solo performer & teaching artist. She received her MFA from the American Conservatory Theater (A.C.T.) in 2021 and was a participant in the 2022 Disney Television Discovers: Talent Showcase. To learn more about Ashley and her past/recent projects, please visit www.ashley-j-hicks.com

    Additional Links:

    “What’s Off?” Production Staff
    David E. Shane, Executive Producer
    Erica Wray Barnes, Associate Producer
    Ashley J. Hicks and Nicky Maggio, Line Producers
    Dante32, Audio Engineer
    Devon Adams, Art Director/Graphic Design

    If you’d like to receive new episodes as they’re published, please subscribe to “What’s Off?” wherever you get your podcasts. If you enjoyed this episode, please consider leaving a review. It really helps others find the show.

  • NEW LEADERSHIP // TO BE OF SERVICE

    NEW LEADERSHIP // TO BE OF SERVICE

    Episode 9: NEW LEADERSHIP // TO BE OF SERVICE

    People haven’t solved the challenges we’re going to solve. People haven’t dreamed the things that we’re going to come up with. I think there is this interesting play between wanting to have reverence and appreciation and deep respect for what has come before while also [holding] that this is who I am and this is the life experience, identity, and way of moving through the world that I carry.”– Talia Corren

    Many longstanding theater organizations in New York City and across the country are experiencing changes in administrative and artistic leadership. These individuals may be new to their positions, but they bring years of experience and fresh ideas to the field and to their new theatrical homes.

    A.R.T./New York Co-Executive Director Talia Corren sat down with Amanda Feldman of Classic Stage Company and Patricia McGregor of New York Theatre Workshop to discuss their roles as new leaders of multi-decade institutions. Listen in as they share about their experiences as women in the field, what they bring to their new positions, what it’s like to lead in a co-director model, and how they each are bridging the gap between the past, present and the future.

    Amanda Feldman

    Amanda Feldman is currently the Managing Director of Classic Stage Company. Prior to this role she served as Managing Director of Page 73, where she produced five world premiere Off-Broadway productions and oversaw the finances, human resources, and marketing, as well as played a key role in strategic planning and organizational advancement. In her career, Amanda has produced new works Off-Broadway with The Foundry Theatre, En Garde Arts, The Play Company, Abrons Arts Center, and The Playwrights Realm. In 2011, she co-founded the Off Off Broadway company Neighborhood Productions to support entrepreneurial theater artists in self-producing their own works, and, for five years, she was the General Manager of the Lark Play Development Center. Feldman also led The NYC World Theatre Day Coalition until 2014, where she created and curated The Around-the-Globe Chain Play. She was the founding Managing Director of CollaborationTown and produced seven world premieres. Feldman currently serves on the board of History Matters/Celebrating Women’s Plays of the Past, and she is a WP Theatre Producer Lab alumna. BA from Tufts University.

    Patricia McGregor

    Born in St. Croix, U.S. Virgin Islands, Patricia McGregor is the Artistic Director of New York Theatre Workshop, as well as a director and writer working across disciplines. McGregor has twice been profiled by The New York Times for her direction of world premieres. She was the inaugural Artist in Residence for Arts in the Armed Forces and an Old Globe Resident Artist, as well as a Paul & Daisy Soros Fellow at Yale School of Drama.

    Talia Corren

    Talia Corren (she/her) is an experienced creative leader who is passionate about New York City’s vibrant theater ecosystem. Talia joins A.R.T./New York after six years of steering strategic and fundraising engagements with Advance NYC, where she partnered with over two dozen cultural, educational, and social service organizations across the five boroughs and beyond. At institutions ranging in size and lifecycle – from true start-up to established field leaders – Talia has collaborated with non-profit organizations at pivotal moments of growth and change, specializing in strategic planning, board development, fundraising strategy, and stakeholder engagement. Talia began her career at Playwrights Horizons before heading down the street to Signature Theatre, joining the team to close the $75M capital campaign and to plan and execute a full slate of inaugural events for the Pershing Square Signature Center. She then moved downtown to Soho Rep, where she managed all aspects of development during a time of tremendous growth. Talia also took a brief hiatus from Off-Broadway theater to launch The Uprising – a non-profit harnessing collective generosity to make our city 1% better every day – in partnership with the intrepid community builders of Mark Fisher Fitness. Talia is a proud native of Denver, Colorado, and a graduate of The University of Michigan (BFA, Musical Theater; BA, English).

    Nicky Maggio

    Nicky Maggio or “N” (they/them) currently serves as Programs Manager at A.R.T/New York. N is a freelance theatrical curator with a focus on new play development and directing. Originally born in southeast Massachusetts, Nicky received their B.F.A. at Emerson College and then completed their M.F.A in Directing at The New School. For more information on their artistic projects, visit www.nmaggio.com @nickymaggio

    Ashley J. Hicks

    Ashley J. Hicks (a.k.a. Ash, she/her) works currently as a Programs Coordinator for A.R.T./New York.  Ash is an actor, writer, solo performer & teaching artist. She received her MFA from the American Conservatory Theater (A.C.T.) in 2021 and was a participant in the 2022 Disney Television Discovers: Talent Showcase. To learn more about Ashley and her past/recent projects, please visit www.ashley-j-hicks.com

    Additional Links:

    “What’s Off?” Production Staff
    David E. Shane, Executive Producer
    Erica Wray Barnes, Associate Producer
    Ashley J. Hicks and Nicky Maggio, Line Producers
    Catalin Media, Audio Engineer
    Devon Adams, Art Director/Graphic Design

    If you’d like to receive new episodes as they’re published, please subscribe to “What’s Off?” wherever you get your podcasts. If you enjoyed this episode, please consider leaving a review. It really helps others find the show.

  • TECHNICIAN TRAINING // SENDING THE ELEVATOR BACK DOWN

    TECHNICIAN TRAINING // SENDING THE ELEVATOR BACK DOWN

    Episode 8: TECHNICIAN TRAINING // SENDING THE ELEVATOR BACK DOWN

    “There’s so many jobs out there where you can’t get the job unless you’ve had the job. Technical theater is no different. It’s about trust. It’s about safety and making sure you’re going to be able to do it when you show up.” – Mitch Mattson

    As the team at Roundabout Theatre Company considered the significant barriers to entry for potential technical theatre workers, they realized something was “off”. So, they created the Theatrical Workforce Development Program (TWDP) –  a partnership between Roundabout Theatre Company and the International Alliance of Theatrical Stage Employees (IATSE.) TWDP offers participants hands-on, work-based training in four technical disciplines and connects them directly to employment opportunities in theatres across the city. 

    In this episode, A.R.T./New York Theatre Operations Manager Sarah Lahue talks to the program leaders about how TWDP helps participants with everything from learning about self care on the job to avoiding student loan debt. Tune in to learn all about how this innovative program is helping to develop the next generation of theatrical workers.

    Njeri Baker

    Njeri Baker is a dedicated Arts Administrator with more than 7 years of theater experience across production, company management, and theater administration. She graduated from Howard University and New York University with a BFA in Theater Technology & an MA in Performing Arts Administration, respectively. Currently, she’s an Education Manager at Roundabout Theatre Company, managing their Theatrical Workforce Development Program. A program training young people in backstage theater work to diversify the technical theater industry.

    Mitch Mattson

    Mitch Mattson is the Director of Career Training and Operations at Roundabout Theatre Company – NYC’s largest not-for-profit theatre company. He leads a team of arts administrators and teaching artists fostering the next generation of dynamic theatre professionals through career and workforce development programs. His work has created partnerships with over 5 professional theatres and shops across NYC – enabling Roundabout’s Theatrical Workforce Development Program to provide training and jobs to early career technicians. He facilitates workshops and presents on theatre education topics nationally and internationally. Mitch is the recent Board Chair of the American Alliance for Theatre & Education and an alum of Coro: Leadership New York, LNY31. Previous work of his at Arena Stage in Washington, DC was sponsored by the US State Department, taking him to India to create theater with young people.

    Sarah Lahue

    Sarah Lahue has been working at the A.R.T./New York Theatres since 2018. As the Operations Manager for the Theatres, Sarah fields inquiries and helps to guide member companies and other renters through the process of booking time in the space and maintains the building calendar at large both for long and short-term rentals. She also manages the freelance Front of House Managers and is the point of contact for all front of house issues. In addition to her work at A.R.T./New York, Sarah works as a freelance stage manager both in Indie Theater and Off Broadway. She spends whatever free time is left watching horror movies.

    Nicky Maggio

    Nicky Maggio or “N” (they/them) currently serves as Programs Manager at A.R.T/New York. N is a freelance theatrical curator with a focus on new play development and directing. Originally born in southeast Massachusetts, Nicky received their B.F.A. at Emerson College and then completed their M.F.A in Directing at The New School. For more information on their artistic projects, visit www.nmaggio.com @nickymaggio

    Ashley J. Hicks

    Ashley J. Hicks (a.k.a. Ash, she/her) works currently as a Programs Coordinator for A.R.T./New York.  Ash is an actor, writer, solo performer & teaching artist. She received her MFA from the American Conservatory Theater (A.C.T.) in 2021 and was a participant in the 2022 Disney Television Discovers: Talent Showcase. To learn more about Ashley and her past/recent projects, please visit www.ashley-j-hicks.com

    Additional Links:

    “What’s Off?” Production Staff
    David E. Shane, Executive Producer
    Erica Wray Barnes, Associate Producer
    Ashley J. Hicks and Nicky Maggio, Line Producers
    Dante32, Audio Engineer
    Devon Adams, Art Director/Graphic Design

    If you’d like to receive new episodes as they’re published, please subscribe to “What’s Off?” wherever you get your podcasts. If you enjoyed this episode, please consider leaving a review. It really helps others find the show.

  • THERESA BUCHHEISTER // THE ILLUSION OF STABILITY

    THERESA BUCHHEISTER // THE ILLUSION OF STABILITY

    Episode 7: THERESA BUCHHEISTER // THE ILLUSION OF STABILITY

    “You can still be specific and have aesthetic value and have no money. The Brick is creating a way for people to say, ‘I could do this too’, and actually try it and see if it’s something they wanna do.” – Theresa Buchheister

    Since 2004, Theresa Buchheister has found themselves in a veritable slew of non-conventional New York City theatre and performance spaces. Their lifelong pursuit of creating collaborative,  experimental work has made them a beloved community leader. Today, Theresa has refocused their energy toward supporting other scrappy artists and career experimenters. Along the way, they’ve affirmed that theatre is most definitely NOT dead, and discovered that we can learn a lot by asking, “what are the barriers to participation?”

    Tune in to listen as host Nicky Maggio/N chats with Theresa about how shifting their focus allowed them to gain a new perspective on our ever tumultuous industry.

    Theresa Buchheister (they/them) is a director, writer, producer, performer and curator from Manhattan, KS. They currently operate as Artistic Director of The Brick (an experimental performance space in Brooklyn), The Exponential Festival (a January performance festival of deep fringe art) and Title:Point (16-year-old theater company specializing in oddity, slapstick and dread). Theresa also curates ?!:New Works, a works-in-progress gathering for all performance mediums. They used to run Vital Joint for 4 years, which was home to a veritable slew of alt comedy, weird dance, strange film and more. They were a part of DIY Bushwick performance venue Silent Barn for 4 years and The Ontological in St. Marks Church for 10 years. Theresa makes a living doing voice over work, directing and voicing cartoons, audiobooks and podcasts (BoyGirlDogCatMouseCheese, Pokemon, How Music Works, The Perks of Being a Wallflower, Arrow of Time, RecursiveCast, etc).

    Nicky Maggio

    Nicky Maggio or “N” (they/them) currently serves as Programs Manager at A.R.T/New York. N is a freelance theatrical curator with a focus on new play development and directing. Originally born in southeast Massachusetts, Nicky received their B.F.A. at Emerson College and then completed their M.F.A in Directing at The New School. For more information on their artistic projects, visit www.nmaggio.com @nickymaggio

    Ashley J. Hicks

    Ashley J. Hicks (a.k.a. Ash, she/her) works currently as a Programs Coordinator for A.R.T./New York.  Ash is an actor, writer, solo performer & teaching artist. She received her MFA from the American Conservatory Theater (A.C.T.) in 2021 and was a participant in the 2022 Disney Television Discovers: Talent Showcase. To learn more about Ashley and her past/recent projects, please visit www.ashley-j-hicks.com

    Additional Links:

    “What’s Off?” Production Staff
    David E. Shane, Executive Producer
    Erica Wray Barnes, Associate Producer
    Ashley J. Hicks and Nicky Maggio, Line Producers
    Catalin Media, Audio Engineer
    Devon Adams, Art Director/Graphic Design

    If you’d like to receive new episodes as they’re published, please subscribe to “What’s Off?” wherever you get your podcasts. If you enjoyed this episode, please consider leaving a review. It really helps others find the show.

  • REBECCA KELLYG // HARMONIZING WITH THE SELF 

    REBECCA KELLYG // HARMONIZING WITH THE SELF 

    Episode 6: REBECCA KELLYG // HARMONIZING WITH THE SELF 

    “I really believe the more comfortable a person is with themselves – your own discomforts, your own challenges, your own pain, your own needs – the more able you are to listen and receive when other people are expressing theirs.” – Rebecca KellyG

    Rebecca KellyG went from being a musical theatre college student to a civil rights attorney. Along the way, she noticed some things that felt similarly “off” about these vastly different spaces. Through establishing an artistic practice as a healing artist and facilitator, Rebecca learned that in order to challenge systems, we must first harmonize with the self for both personal and collective liberation. 

    Tune in to listen as A.R.T./New York Co-Excutive Director Risa Shoup chats with Rebecca about her journey and how she found resilience by reigniting her passion for performance and soundscape artistry.

    Rebecca KellyG (she/her) supports individuals and groups to challenge conditioned beliefs, embrace accountability, and cultivate self-love for our personal and collective liberation. 

    She is particularly invested in working with people of color to shed internalized racial oppression and its expression in BIPOC organizational practices and culture. In addition to facilitating organizational retreats and mediation, Rebecca is a sound artist and speaker. In a unique blend of public speaking and performance, she weaves vocal harmonies with percussive sounds to create meditative soundscapes accompanied by story-telling and affirmations. Rebecca has shared her sounds with spaces such as, The United State of Women, La MaMa Galleria, Theatre Communications Group, and Flux Factory Rhizome Project. As an equity consultant, she has worked with such places as HERE Arts Center, Ensemble Studio Theatre, Leslie Lohman Museum of Art, and Yale University Art Gallery. 

    Risa Shoup

    Risa Shoup (they/them/theirs) is a Co-Executive Director of the Alliance of Resident Theatres/New York, a non-profit cultural services organization representing non-profit theaters throughout New York City and State. Risa has worked as an administrator, curator, and leader in the arts in New York City since 2005 focusing on the development of affordable artist workspace. They have extensive experience executing high-level public-private partnerships for project-based work focusing on the intrinsic and instrumental impact of the arts on community development. Risa is proud to have worked with some of New York City’s most beloved cultural institutions including chashama, BRIC, The Invisible Dog, FABnyc, and Spaceworks. Risa was a consultant on CreateNYC, New York City’s first-ever cultural plan, developed in concert between a team of consultants led by Hester Street Collaborative and the New York City Department of Cultural Affairs. They studied City and Regional Planning at Pratt Institute and are also on the boards of the Invisible Dog Art Center, Naturally Occurring Cultural Districts—NY, The New Majority, and the American LGBTQ+ Museum. They live in Brooklyn with their wife, daughter and cat.

    Ashley J. Hicks

    Ashley J. Hicks (a.k.a. Ash, she/her) works currently as a Programs Coordinator for A.R.T./New York.  Ash is an actor, writer, solo performer & teaching artist. She received her MFA from the American Conservatory Theater (A.C.T.) in 2021 and was a participant in the 2022 Disney Television Discovers: Talent Showcase. To learn more about Ashley and her past/recent projects, please visit www.ashley-j-hicks.com

    Nicky Maggio

    Nicky Maggio or “N” (they/them) currently serves as Programs Manager at A.R.T/New York. N is a freelance theatrical curator with a focus on new play development and directing. Originally born in southeast Massachusetts, Nicky received their B.F.A. at Emerson College and then completed their M.F.A in Directing at The New School. For more information on their artistic projects, visit www.nmaggio.com @nickymaggio

    Additional Links:

    My Grandmother’s Hands by Resmaa Menakem

    “What’s Off?” Production Staff
    David E. Shane, Executive Producer
    Erica Wray Barnes, Associate Producer
    Ashley J. Hicks and Nicky Maggio, Line Producers
    Catalin Media, Audio Engineer
    Devon Adams, Art Director/Graphic Design

    If you’d like to receive new episodes as they’re published, please subscribe to “What’s Off?” wherever you get your podcasts. If you enjoyed this episode, please consider leaving a review. It really helps others find the show.