Author: Ryan Foy

  • Announcing The FY24 Edith Lutyen & Norman Bel Geddes Design Enhancement Fund Recipients

    A.R.T./New York is proud to announce the FY24 recipients of the Edith Lutyens and Norman Bel Geddes Design Enhancement Fund! The following eight companies received a total of $75,750 for their productions.

    Houses on the Moon Theater Company // Hotel Happy

    To support Matt Acheson’s design and building of a beautiful, expressive, functional and durable donkey puppet for Camilo Almonacid’s Hotel Happy

    KEVIN RAY | WORKS // WE

    To support immersive projections for a devised play based on Russian author Yevgeny Zamyatin’s 1921 science fiction dystopian novel WE

    Krymov Lab NYC // Onegin

    To support the creation of 200 puppets for the performance of Onegin (In our Own Words).  

    Red Snapper Productions // Snatch Adams & Tainty McCracken Present It’s That Time of the Month

    To support puppetry and set design enhancement for Snatch Adams & Tainty McCracken Present It’s That Time of the Month, a daring, strange new work written and performed by Becca Blackwell, directed by Jess Barbagallo, with immersive production design by Greg Corbino. 

    Rooted Theater Company // Linden Park

    To support set design for a new play called Linden Park written by Brandice Peltier and Kareem Nemley. 

    Sinking Ship Productions // The Voyages of Egon Tichy

    To support building a multi-layer toy theater for The Voyages of Egon Tichy, a hybrid-in-person/digital performance adapted from two science fiction stories by Stanislaw Lem, built by Sinking Ship in collaboration with Obie award-winning Theater in Quarantine.

    Transforma Theatre // Bioadapted

    To support the task of creating an avatar embodying AI system ​GPT​-3 for Bioadapted, a theatre reenactment investigative documentary about what our future might look like if AI propagates in unethical ways that don’t serve humankind.

    Christina Masciotti’s No Good Things Dwell in the Flesh 

    To support set and costume design for the world premiere of Christina Masciotti’s No Good Things Dwell in the Flesh. Set in a tailor shop, the vision is an abstracted workroom dominated by racks of clothing. 

    FY24 Edith Lutyens & Norman Bel Geddes

    Design Enhancement Fund Panelists

    • Rebecca Bickley Clayton, Freelance Technical Director & Scenic Carpenter
    • Sara Fellini, Artistic Director, spit&vigor
    • Joshua William Gelb, Theater in Quarantine
    • Kimberly O’Loughlin, Sound Designer
    • Ayumu “Poe” Saegusa, Freelance Lighting Designer & Production Manager
  • Announcing The Inaugural Recipients of The New York City Small Theatres Fund 

    2022 – 2024 NYC Small Theatres Fund Recipients

    The Alliance of Resident Theatres/New York and the Howard Gilman Foundation are thrilled to announce the 23 recipients of the inaugural cycle of the New York City Small Theatres Fund. Selected from an initial application pool of over 170 applications, the funded theatres will receive two years of flexible, general operating support to support the operations of their theatre companies. As New York City theatres continue to recover from the impacts of the ongoing pandemic, we are excited to be able to provide multi-year support to this vibrant and crucial segment of New York City’s cultural ecosystem. 

    The incredible small theatres funded through this year’s grant cycle represent a range of theatrical aesthetics, organizational structures, methods of working, and artistic communities served. They include theatres working with young audiences, documentary theatres, developmental companies, venues and itinerant theatres, theatres focused on serving a specific geographic or cultural community, devising ensembles, and companies consistently challenging what theatre is – and can be. 

     For some of the grantees, this funding will help push them to their next level of growth, as they continue to build resilience and capacity, while some grantees will use this support to take some space to stabilize and right-size. Adam Odsess-Rubin, Founding Artistic Director of National Queer Theatre shared, “This is our first-ever multi-year grant, an important marker in establishing our sustainability to continue providing impactful programming to LGBTQ+ artists and audiences across New York.” Congratulations to the inaugural recipients! 

    Recipients of the 2022-2024 Small Theatres Fund

    Amaterasu Za

    Amaterasu Za features talented bi-lingual theater artists exploring classic and contemporary Japanese works for Japanese and English-speaking audiences. Through our productions and ongoing training in Japanese-influenced movement and theater techniques, Amaterasu Za hopes to foster a deeper understanding between cultures, and a deeper understanding for Japanese-Americans and Japanese living in the US of their own cultural heritage that is so under-represented and misunderstood in popular culture.

    Amerinda Theater

    Amerinda’s mission is to make the indigenous perspective in the arts available to a broad audience through the creation of new work in contemporary art forms.

    Black Revolutionary Theatre Workshop

    BRTW exists to disrupt any and all oppressive systems that marginalize Black people using narrative and performance as a methodology to recenter Black people and experiences. With economic, social, educational, healthcare, housing, and political injustice facing our community, BRTW aims to tackle the issues that impact us while becoming a beacon for Black opportunity within the arts.

    Blackberry Productions

    Blackberry Productions is a Documentary Theater Company that develops and produces theater that sheds light on issues impacting our communities and brings cross-sections of the community together to encourage greater cultural awareness, compassion, and community capital.

    Emit Theatre Inc

    Emit Theatre is an immersive educational theatre company committed to creating theatrical experiences through which learners of all kinds have the freedom to explore stories through direct interactions. At our core is a dedication to inclusive learning through the arts, placing artists and audiences side by side to provide one-of-a-kind opportunities for wonder and discovery. We are committed to sharing high-quality adaptations of Shakespeare and innovative new works with diverse young audiences in non-traditional settings and ADA compliant spaces. We invite each audience member to approach our productions from their own curiosity with a high level of agency.

    Grand Pistachio

    Grand Pistachio creates original theater for young people utilizing larger than life forms of puppetry, mask, and music. Our mission is to help young audiences build empathy, see resiliency in action, and provide context for how their own stories are connected to and shaped by history. We achieve these goals by highlighting the stories of people who may not be included in history books or cultural records. Through this lens we explore the hardships of immigrant families in Layer the Walls, untapped poetic potential within ourselves in Blown Away By Poetry, and dangers of sanitation workers in City of Trash.

    IRT Theater

    IRT is a grassroots laboratory for independent theater and performance in New York City, providing space and support to a new generation of artists. IRT’s mission is to build a community of emerging and established artists by creating a home for the development and presentation of new work.

    Kyoung’s Pacific Beat

    Kyoung’s Pacific Beat (KPB) is a peacemaking theater collective dedicated to working with artists, non-artists, and local communities to transform experiences of oppression into peace messages through public performance.

    LEIMAY

    Founded in 1996, LEIMAY (CAVE Organization Inc.) is an arts organization/ensemble that stimulates dialogue on multidisciplinary performing arts; develops LUDUS (a training program in the lineage of Butoh and experimental theater); offers space and residencies; and shares creations from the LEIMAY Ensemble made by its co-directors Ximena Garnica (Colombian) and Shige Moriya (Japanese). Their activities take place at CAVE in Brooklyn and other venues in NYC, the Americas, and beyond.

    Leviathan Lab

    Founded in 2009, Leviathan Lab is an award-winning, NYC-based nonprofit creative studio whose mission is the advancement of Asian American Pacific Islander (AAPI) theatre artists and their work. Through the speaking of AAPI artists’ words, and the presentation of AAPI bodies, presence, and gestures on stage and film, Leviathan works to open spaces that promote social justice, bridge communities, and assert the power of art to change the world. We function as a lab where early-career and established AAPI artists can be courageous, experiment, and thrive as they create works that captivate the audiences we serve.

    National Queer Theater

    National Queer Theater is an innovative theater collective dedicated to celebrating the brilliance of generations of LGBTQ artists and providing a home for unheard storytellers and activists. By serving our elders, youth, and working professionals, NQT creates a more just future through radical and evocative theater experiences and free community classes.

    Nightdrive

    Nightdrive makes rigorously irreverent, demandingly vulnerable, borderline-impossible plays that use indelible moments of stagecraft to build thrillingly personal relationships with audiences, empowering them to reimagine themselves and what they’re capable of. Dispatching new, surprising ways of telling stories that we create in our hyper-collaborative playmaking process, Nightdrive chauffeurs our artists and audiences through the darkness of the world outside, the quiet horror of sharing their tenderness, and the clandestine rush of taking risks together anyway, practicing the collective compassion and boldness it will take to make a more profoundly imaginative world together in the morning.

    Noor Theatre

    Noor Theatre is an OBIE-winning company with a mission to support, develop, and produce the work of theatre artists of Middle Eastern and North African/South West Asian and North African (MENA/SWANA) descent.

    Oye Group

    Oye Group is a Brooklyn based Production Company that serves as an incubator for artists both local and immigrant to New York City. We present an eclectic mix of theater, dance, poetry, music, video installations and film, through festivals and productions. We curate work that sparks a dialogue over political and social issues critical to our community’s growth. We work with emerging artists to create, play, and grow in an environment that challenges and supports them. We also provide quality arts education programming that gives our Brooklyn Community the tools to generate forward-thinking art.

    Patty Cake Theatre

    Patty Cake Theatre’s mission is to foster educational excellence by helping to shape character through theater, film and classes thus encouraging creativity, personal growth and social responsibility. Our slogan is: “Enrichment Beyond The Classroom”

    Pioneers Go East Collective

    Since 2010, Pioneers Go East Collective inspires a lively exchange of queer art and culture by connecting people to ideas and experiences. Dedicated to performing artists who explore stories of vulnerability and courage for social change, we empower LGBTQ and Feminist artists reflecting on issues still affecting our community. The collective’s generative process has been inspired by the Walt Whitman poem, “O Pioneers!” that pays homage to the pioneers who ventured forth courageously seeking a brighter future. Similarly, the collective comprises Latinx and BIPOC immigrant artists and arts educators, taking risks and revealing stories that reflect individual strength.

    Pipeline Theatre Company

    Pipeline Theatre Company believes that an unbridled imagination is a force of magic with the power to provoke a more courageous and compassionate world.

    Rooted Theater Company

    Rooted Theater company engages, challenges, and inspires audiences through theatrical productions that range from the classics to new and emerging works; our programming encourages social consciousness through Real, Open, and Objective Theater Education. We celebrate the diversity of our community’s roots, our present struggles, and future successes through intentional theater.

    Safe Harbors NYC

    Safe Harbors focuses on the development and production of Native Theater and Performing Arts in New York City within the broader American theater; we combat stereotypes and support vibrant Native communities. We develop ongoing dialogue with Policymakers about the approach to cultural and socioeconomic issues using Theatrical performances, Performing Arts, Native Cultural Consultancy, panel discussions, and Cultural Events.

    Spiderwoman Theater

    Spiderwoman Theater’s mission is to inspire, nurture and challenge Indigenous and women theater artists and their communities to discover and explore their dreams and their futures through collective storytelling and performance through theater performance, training and cultural education rooted in an urban Indigenous performance practice.

    The Parsnip Ship

    The Parsnip Ship is a podcast play company that amplifies bold artists for audiences who crave accessible stories and storytellers. Our live events and audio podcasts are eclectic and transformative, creating communities in person and digitally. Through our work, we revolutionize the way you hear theater.

    Trusty Sidekick Theater Company

    The audience is the hero. We are their trusty sidekick. Based in New York City, Trusty Sidekick Theater Company creates bold, original productions for young people and their families. By developing new work in collaboration with young audiences as dramaturgs, every adventure is rooted firmly in the belief that kids deserve theater that ignites their imaginations and makes them think about the world in a new way.

    Yaa Samar! Dance Theatre

    Yaa Samar! Dance Theatre’s mission is to create invigorating performance and education initiatives that expand access to – and promote understanding through – the arts.

    Panelists for the 2022 – 2024 Small Theatres Fund:

    Becky Baumwoll
    Artistic Director at Broken Box Mime Theater and Associate at Arts Action Research

    Amara Brady
    Freelance Generative Artist 

    Hope Chávez
    Former Director of Artistic Planning at Long Wharf Theatre and Freelance Consultant and Facilitator

    Mashuq Mushtaq Deen
    Freelance Playwright

    Hannah Fenlon
    Consultant and Cultural Strategist

    Chelsea Fryer
    Artistic Programs Manager at The Playwrights Realm

    Ryan Gedrich
    Advancement Director at Clubbed Thumb

    Arnaldo J. López
    Managing Director at Pregones/PRTT

    Lauren Miller
    Development Director at The Bushwick Starr

    Patrice Miller
    Artistic Associate at Untitled Theater Company #61

    A.J. Muhammed
    Producer at The Fire This Time Festival and Dramaturg

    Robert Neill
    Artistic Director & Founding Ensemble Member at the New York Neo-Futurists

    Jolene Noelle
    Institutional Giving Manager at Rattlestick Theater

    Lauren Nordvig
    Programs Manager at the Brooklyn Arts Council

    Holly Sansom
    Operations Director at Theatre of the Oppressed NYC

    Martha Steketee
    Freelance Dramaturg, Critic, and Researcher

    Suzi Takahashi
    Freelance Actor and Director

    Kate Trammell
    Managing Director at the New York Theatre Barn

    Ellpetha Tsivicos
    Co-founder of One Whale’s Tale

  • NEW LEADERSHIP // TO BE OF SERVICE

    NEW LEADERSHIP // TO BE OF SERVICE

    Episode 9: NEW LEADERSHIP // TO BE OF SERVICE

    People haven’t solved the challenges we’re going to solve. People haven’t dreamed the things that we’re going to come up with. I think there is this interesting play between wanting to have reverence and appreciation and deep respect for what has come before while also [holding] that this is who I am and this is the life experience, identity, and way of moving through the world that I carry.”– Talia Corren

    Many longstanding theater organizations in New York City and across the country are experiencing changes in administrative and artistic leadership. These individuals may be new to their positions, but they bring years of experience and fresh ideas to the field and to their new theatrical homes.

    A.R.T./New York Co-Executive Director Talia Corren sat down with Amanda Feldman of Classic Stage Company and Patricia McGregor of New York Theatre Workshop to discuss their roles as new leaders of multi-decade institutions. Listen in as they share about their experiences as women in the field, what they bring to their new positions, what it’s like to lead in a co-director model, and how they each are bridging the gap between the past, present and the future.

    Amanda Feldman

    Amanda Feldman is currently the Managing Director of Classic Stage Company. Prior to this role she served as Managing Director of Page 73, where she produced five world premiere Off-Broadway productions and oversaw the finances, human resources, and marketing, as well as played a key role in strategic planning and organizational advancement. In her career, Amanda has produced new works Off-Broadway with The Foundry Theatre, En Garde Arts, The Play Company, Abrons Arts Center, and The Playwrights Realm. In 2011, she co-founded the Off Off Broadway company Neighborhood Productions to support entrepreneurial theater artists in self-producing their own works, and, for five years, she was the General Manager of the Lark Play Development Center. Feldman also led The NYC World Theatre Day Coalition until 2014, where she created and curated The Around-the-Globe Chain Play. She was the founding Managing Director of CollaborationTown and produced seven world premieres. Feldman currently serves on the board of History Matters/Celebrating Women’s Plays of the Past, and she is a WP Theatre Producer Lab alumna. BA from Tufts University.

    Patricia McGregor

    Born in St. Croix, U.S. Virgin Islands, Patricia McGregor is the Artistic Director of New York Theatre Workshop, as well as a director and writer working across disciplines. McGregor has twice been profiled by The New York Times for her direction of world premieres. She was the inaugural Artist in Residence for Arts in the Armed Forces and an Old Globe Resident Artist, as well as a Paul & Daisy Soros Fellow at Yale School of Drama.

    Talia Corren

    Talia Corren (she/her) is an experienced creative leader who is passionate about New York City’s vibrant theater ecosystem. Talia joins A.R.T./New York after six years of steering strategic and fundraising engagements with Advance NYC, where she partnered with over two dozen cultural, educational, and social service organizations across the five boroughs and beyond. At institutions ranging in size and lifecycle – from true start-up to established field leaders – Talia has collaborated with non-profit organizations at pivotal moments of growth and change, specializing in strategic planning, board development, fundraising strategy, and stakeholder engagement. Talia began her career at Playwrights Horizons before heading down the street to Signature Theatre, joining the team to close the $75M capital campaign and to plan and execute a full slate of inaugural events for the Pershing Square Signature Center. She then moved downtown to Soho Rep, where she managed all aspects of development during a time of tremendous growth. Talia also took a brief hiatus from Off-Broadway theater to launch The Uprising – a non-profit harnessing collective generosity to make our city 1% better every day – in partnership with the intrepid community builders of Mark Fisher Fitness. Talia is a proud native of Denver, Colorado, and a graduate of The University of Michigan (BFA, Musical Theater; BA, English).

    Nicky Maggio

    Nicky Maggio or “N” (they/them) currently serves as Programs Manager at A.R.T/New York. N is a freelance theatrical curator with a focus on new play development and directing. Originally born in southeast Massachusetts, Nicky received their B.F.A. at Emerson College and then completed their M.F.A in Directing at The New School. For more information on their artistic projects, visit www.nmaggio.com @nickymaggio

    Ashley J. Hicks

    Ashley J. Hicks (a.k.a. Ash, she/her) works currently as a Programs Coordinator for A.R.T./New York.  Ash is an actor, writer, solo performer & teaching artist. She received her MFA from the American Conservatory Theater (A.C.T.) in 2021 and was a participant in the 2022 Disney Television Discovers: Talent Showcase. To learn more about Ashley and her past/recent projects, please visit www.ashley-j-hicks.com

    Additional Links:

    “What’s Off?” Production Staff
    David E. Shane, Executive Producer
    Erica Wray Barnes, Associate Producer
    Ashley J. Hicks and Nicky Maggio, Line Producers
    Catalin Media, Audio Engineer
    Devon Adams, Art Director/Graphic Design

    If you’d like to receive new episodes as they’re published, please subscribe to “What’s Off?” wherever you get your podcasts. If you enjoyed this episode, please consider leaving a review. It really helps others find the show.

  • TECHNICIAN TRAINING // SENDING THE ELEVATOR BACK DOWN

    TECHNICIAN TRAINING // SENDING THE ELEVATOR BACK DOWN

    Episode 8: TECHNICIAN TRAINING // SENDING THE ELEVATOR BACK DOWN

    “There’s so many jobs out there where you can’t get the job unless you’ve had the job. Technical theater is no different. It’s about trust. It’s about safety and making sure you’re going to be able to do it when you show up.” – Mitch Mattson

    As the team at Roundabout Theatre Company considered the significant barriers to entry for potential technical theatre workers, they realized something was “off”. So, they created the Theatrical Workforce Development Program (TWDP) –  a partnership between Roundabout Theatre Company and the International Alliance of Theatrical Stage Employees (IATSE.) TWDP offers participants hands-on, work-based training in four technical disciplines and connects them directly to employment opportunities in theatres across the city. 

    In this episode, A.R.T./New York Theatre Operations Manager Sarah Lahue talks to the program leaders about how TWDP helps participants with everything from learning about self care on the job to avoiding student loan debt. Tune in to learn all about how this innovative program is helping to develop the next generation of theatrical workers.

    Njeri Baker

    Njeri Baker is a dedicated Arts Administrator with more than 7 years of theater experience across production, company management, and theater administration. She graduated from Howard University and New York University with a BFA in Theater Technology & an MA in Performing Arts Administration, respectively. Currently, she’s an Education Manager at Roundabout Theatre Company, managing their Theatrical Workforce Development Program. A program training young people in backstage theater work to diversify the technical theater industry.

    Mitch Mattson

    Mitch Mattson is the Director of Career Training and Operations at Roundabout Theatre Company – NYC’s largest not-for-profit theatre company. He leads a team of arts administrators and teaching artists fostering the next generation of dynamic theatre professionals through career and workforce development programs. His work has created partnerships with over 5 professional theatres and shops across NYC – enabling Roundabout’s Theatrical Workforce Development Program to provide training and jobs to early career technicians. He facilitates workshops and presents on theatre education topics nationally and internationally. Mitch is the recent Board Chair of the American Alliance for Theatre & Education and an alum of Coro: Leadership New York, LNY31. Previous work of his at Arena Stage in Washington, DC was sponsored by the US State Department, taking him to India to create theater with young people.

    Sarah Lahue

    Sarah Lahue has been working at the A.R.T./New York Theatres since 2018. As the Operations Manager for the Theatres, Sarah fields inquiries and helps to guide member companies and other renters through the process of booking time in the space and maintains the building calendar at large both for long and short-term rentals. She also manages the freelance Front of House Managers and is the point of contact for all front of house issues. In addition to her work at A.R.T./New York, Sarah works as a freelance stage manager both in Indie Theater and Off Broadway. She spends whatever free time is left watching horror movies.

    Nicky Maggio

    Nicky Maggio or “N” (they/them) currently serves as Programs Manager at A.R.T/New York. N is a freelance theatrical curator with a focus on new play development and directing. Originally born in southeast Massachusetts, Nicky received their B.F.A. at Emerson College and then completed their M.F.A in Directing at The New School. For more information on their artistic projects, visit www.nmaggio.com @nickymaggio

    Ashley J. Hicks

    Ashley J. Hicks (a.k.a. Ash, she/her) works currently as a Programs Coordinator for A.R.T./New York.  Ash is an actor, writer, solo performer & teaching artist. She received her MFA from the American Conservatory Theater (A.C.T.) in 2021 and was a participant in the 2022 Disney Television Discovers: Talent Showcase. To learn more about Ashley and her past/recent projects, please visit www.ashley-j-hicks.com

    Additional Links:

    “What’s Off?” Production Staff
    David E. Shane, Executive Producer
    Erica Wray Barnes, Associate Producer
    Ashley J. Hicks and Nicky Maggio, Line Producers
    Dante32, Audio Engineer
    Devon Adams, Art Director/Graphic Design

    If you’d like to receive new episodes as they’re published, please subscribe to “What’s Off?” wherever you get your podcasts. If you enjoyed this episode, please consider leaving a review. It really helps others find the show.

  • THERESA BUCHHEISTER // THE ILLUSION OF STABILITY

    THERESA BUCHHEISTER // THE ILLUSION OF STABILITY

    Episode 7: THERESA BUCHHEISTER // THE ILLUSION OF STABILITY

    “You can still be specific and have aesthetic value and have no money. The Brick is creating a way for people to say, ‘I could do this too’, and actually try it and see if it’s something they wanna do.” – Theresa Buchheister

    Since 2004, Theresa Buchheister has found themselves in a veritable slew of non-conventional New York City theatre and performance spaces. Their lifelong pursuit of creating collaborative,  experimental work has made them a beloved community leader. Today, Theresa has refocused their energy toward supporting other scrappy artists and career experimenters. Along the way, they’ve affirmed that theatre is most definitely NOT dead, and discovered that we can learn a lot by asking, “what are the barriers to participation?”

    Tune in to listen as host Nicky Maggio/N chats with Theresa about how shifting their focus allowed them to gain a new perspective on our ever tumultuous industry.

    Theresa Buchheister (they/them) is a director, writer, producer, performer and curator from Manhattan, KS. They currently operate as Artistic Director of The Brick (an experimental performance space in Brooklyn), The Exponential Festival (a January performance festival of deep fringe art) and Title:Point (16-year-old theater company specializing in oddity, slapstick and dread). Theresa also curates ?!:New Works, a works-in-progress gathering for all performance mediums. They used to run Vital Joint for 4 years, which was home to a veritable slew of alt comedy, weird dance, strange film and more. They were a part of DIY Bushwick performance venue Silent Barn for 4 years and The Ontological in St. Marks Church for 10 years. Theresa makes a living doing voice over work, directing and voicing cartoons, audiobooks and podcasts (BoyGirlDogCatMouseCheese, Pokemon, How Music Works, The Perks of Being a Wallflower, Arrow of Time, RecursiveCast, etc).

    Nicky Maggio

    Nicky Maggio or “N” (they/them) currently serves as Programs Manager at A.R.T/New York. N is a freelance theatrical curator with a focus on new play development and directing. Originally born in southeast Massachusetts, Nicky received their B.F.A. at Emerson College and then completed their M.F.A in Directing at The New School. For more information on their artistic projects, visit www.nmaggio.com @nickymaggio

    Ashley J. Hicks

    Ashley J. Hicks (a.k.a. Ash, she/her) works currently as a Programs Coordinator for A.R.T./New York.  Ash is an actor, writer, solo performer & teaching artist. She received her MFA from the American Conservatory Theater (A.C.T.) in 2021 and was a participant in the 2022 Disney Television Discovers: Talent Showcase. To learn more about Ashley and her past/recent projects, please visit www.ashley-j-hicks.com

    Additional Links:

    “What’s Off?” Production Staff
    David E. Shane, Executive Producer
    Erica Wray Barnes, Associate Producer
    Ashley J. Hicks and Nicky Maggio, Line Producers
    Catalin Media, Audio Engineer
    Devon Adams, Art Director/Graphic Design

    If you’d like to receive new episodes as they’re published, please subscribe to “What’s Off?” wherever you get your podcasts. If you enjoyed this episode, please consider leaving a review. It really helps others find the show.

  • REBECCA KELLYG // HARMONIZING WITH THE SELF 

    REBECCA KELLYG // HARMONIZING WITH THE SELF 

    Episode 6: REBECCA KELLYG // HARMONIZING WITH THE SELF 

    “I really believe the more comfortable a person is with themselves – your own discomforts, your own challenges, your own pain, your own needs – the more able you are to listen and receive when other people are expressing theirs.” – Rebecca KellyG

    Rebecca KellyG went from being a musical theatre college student to a civil rights attorney. Along the way, she noticed some things that felt similarly “off” about these vastly different spaces. Through establishing an artistic practice as a healing artist and facilitator, Rebecca learned that in order to challenge systems, we must first harmonize with the self for both personal and collective liberation. 

    Tune in to listen as A.R.T./New York Co-Excutive Director Risa Shoup chats with Rebecca about her journey and how she found resilience by reigniting her passion for performance and soundscape artistry.

    Rebecca KellyG (she/her) supports individuals and groups to challenge conditioned beliefs, embrace accountability, and cultivate self-love for our personal and collective liberation. 

    She is particularly invested in working with people of color to shed internalized racial oppression and its expression in BIPOC organizational practices and culture. In addition to facilitating organizational retreats and mediation, Rebecca is a sound artist and speaker. In a unique blend of public speaking and performance, she weaves vocal harmonies with percussive sounds to create meditative soundscapes accompanied by story-telling and affirmations. Rebecca has shared her sounds with spaces such as, The United State of Women, La MaMa Galleria, Theatre Communications Group, and Flux Factory Rhizome Project. As an equity consultant, she has worked with such places as HERE Arts Center, Ensemble Studio Theatre, Leslie Lohman Museum of Art, and Yale University Art Gallery. 

    Risa Shoup

    Risa Shoup (they/them/theirs) is a Co-Executive Director of the Alliance of Resident Theatres/New York, a non-profit cultural services organization representing non-profit theaters throughout New York City and State. Risa has worked as an administrator, curator, and leader in the arts in New York City since 2005 focusing on the development of affordable artist workspace. They have extensive experience executing high-level public-private partnerships for project-based work focusing on the intrinsic and instrumental impact of the arts on community development. Risa is proud to have worked with some of New York City’s most beloved cultural institutions including chashama, BRIC, The Invisible Dog, FABnyc, and Spaceworks. Risa was a consultant on CreateNYC, New York City’s first-ever cultural plan, developed in concert between a team of consultants led by Hester Street Collaborative and the New York City Department of Cultural Affairs. They studied City and Regional Planning at Pratt Institute and are also on the boards of the Invisible Dog Art Center, Naturally Occurring Cultural Districts—NY, The New Majority, and the American LGBTQ+ Museum. They live in Brooklyn with their wife, daughter and cat.

    Ashley J. Hicks

    Ashley J. Hicks (a.k.a. Ash, she/her) works currently as a Programs Coordinator for A.R.T./New York.  Ash is an actor, writer, solo performer & teaching artist. She received her MFA from the American Conservatory Theater (A.C.T.) in 2021 and was a participant in the 2022 Disney Television Discovers: Talent Showcase. To learn more about Ashley and her past/recent projects, please visit www.ashley-j-hicks.com

    Nicky Maggio

    Nicky Maggio or “N” (they/them) currently serves as Programs Manager at A.R.T/New York. N is a freelance theatrical curator with a focus on new play development and directing. Originally born in southeast Massachusetts, Nicky received their B.F.A. at Emerson College and then completed their M.F.A in Directing at The New School. For more information on their artistic projects, visit www.nmaggio.com @nickymaggio

    Additional Links:

    My Grandmother’s Hands by Resmaa Menakem

    “What’s Off?” Production Staff
    David E. Shane, Executive Producer
    Erica Wray Barnes, Associate Producer
    Ashley J. Hicks and Nicky Maggio, Line Producers
    Catalin Media, Audio Engineer
    Devon Adams, Art Director/Graphic Design

    If you’d like to receive new episodes as they’re published, please subscribe to “What’s Off?” wherever you get your podcasts. If you enjoyed this episode, please consider leaving a review. It really helps others find the show.

  • TAVIA RIVÉE JEFFERSON // LAUNCH THE CLASS!

    TAVIA RIVÉE JEFFERSON // LAUNCH THE CLASS!

    Episode 5: TAVIA RIVÉE JEFFERSON // LAUNCH THE CLASS!

    “After the execution of George Floyd, I found myself in a lot of zoom rooms and affinity spaces where I was hearing people of color need a space or a representative to speak on our behalf when we didn’t feel safe.” – Tavia Rivée Jefferson

    After 25 years of experience in the theatre industry as a performer, Tavia Rivée Jefferson realized her very unique skill set made her a perfect fit for an emerging need in the rehearsal room, but this time, behind the table. Tavia created the role of Cultural Coordinator –  a mediator, moderator, resource, and liaison to support cultural sensitivities in the artistic space. 

    Tune in to listen as Host Ashley J. Hicks chats with Tavia about how her unique journey led her to cultural coordinating and how the question, “if not me, then who?” created an entirely new and necessary role in the theatre industry.

    Tavia Rivée Jefferson

    Tavia Rivée Jefferson is a performer, director and communication specialist. After earning her Communications degree from Chapman University, Tavia returned to the arts, performing in shows including, All Shook Up, Trav’lin, Hairspray, Beehive, HAIR, Little Shop of Horrors, Cirque du Soleil’s Michael Jackson ONE, the National Tour of Motown the Musical and Disney Theatricals workshop cast of Aida.  During the pandemic, Tavia focused her skills in interpersonal and organizational communication and cultural relations to build the specialized role of Cultural Coordinating, designed to improve cultural competency in artistic spaces.  Tavia is currently Cultural Coordinator for multiple regional, touring, West End, and Broadway productions, including To Kill a Mockingbird, Company, Hairspray and Other World at Delaware Theatre Company. Tavia Rivée Jefferson

    Ashley J. Hicks

    Ashley J. Hicks (a.k.a. Ash, she/her) works currently as a Programs Coordinator for A.R.T./New York.  Ash is an actor, writer, solo performer & teaching artist. She received her MFA from the American Conservatory Theater (A.C.T.) in 2021 and was a participant in the 2022 Disney Television Discovers: Talent Showcase. To learn more about Ashley and her past/recent projects, please visit www.ashley-j-hicks.com

    “What’s Off?” Production Staff
    David E. Shane, Executive Producer
    Erica Wray Barnes, Associate Producer
    Ashley J. Hicks and Nicky Maggio, Line Producers
    Catalin Media, Audio Engineer
    Devon Adams, Art Director/Graphic Design

    If you’d like to receive new episodes as they’re published, please subscribe to “What’s Off?” wherever you get your podcasts. If you enjoyed this episode, please consider leaving a review. It really helps others find the show.

  • THE CAREGIVERS // BRINGING OUR WHOLE SELVES

    THE CAREGIVERS // BRINGING OUR WHOLE SELVES

    Episode 4: THE CAREGIVERS // BRINGING OUR WHOLE SELVES

    I think the important part is that bringing our whole selves is actually what makes us better. It makes the field and makes the art better” – Roberta Pereira

    In this special episode of “What’s Off?” A.R.T./New York Co-Executive Director Risa Shoup explores what it means to be a caregiver and to be cared for as a working theatre professional. Risa speaks with Tony nominee Amber Gray who has practical solutions about how to shift the culture of care on Broadway. Nonprofit theater leader Roberta Pereira talks about The Radical Parent Inclusion Project –  a partnership between PAAL and The Playwrights Realm –  and Lindsey & Michael Sag describe how they are operationalizing care for themselves and the organizations they lead. 

    Join Risa as they weave together common themes of balance, flexibility, responsibility, and humility in this thoughtful exploration of what it means to care for someone, even yourself, within the historical context of a field that believes no matter what that “the show must go on.”

    Amber Gray

    Amber Gray has originated roles in numerous productions over the years including: Persephone in Hadestown at New York Theatre Workshop, Edmonton’s Citadel, London’s National, and Broadway (Tony nomination, Grammy); Hélène in Natasha, Pierre & The Great Comet of 1812 at Ars Nova, Kazino, and Broadway (Theatre World Award); Laurey in Daniel Fish’s Oklahoma! at Bard SummerScape; and Zoe in Branden Jacobs-Jenkins’ An Octoroon at PS 122, Soho Rep, and TFANA (Obie).  Other theatre gems include Sam Gold’s Macbeth on Broadway and Taylor Mac’s A 24 Decade History of Popular Music at New York Live Arts/Under the Radar and BRIC’s Celebrate Brooklyn!  Gray is a company member of The TEAM and has co-developed and performed in their Mission Drift, Primer for a Failed Superpower, and the upcoming Reconstruction.  Check ’em out at theteamplays.org. Gray can always be found with radical performance community Reverend Billy and The Church of Stop Shopping.  Check ’em out at revbilly.com.  Recent and Upcoming TV/Film: Ben Stiller’s “Escape at Dannemora,” Barry Jenkins’ “Underground Railroad,” Broadway cult favorites “Submissions Only” and “The Gilded Age,” Gabe Braden’s Where There’s Smoke, Mariama Diallo’s Master, and The Arens’ Heartworm. MFA: NYU.

    Roberta Pereira

    Roberta Pereira is a Tony-nominated, Olivier Award-winning producer who has developed and produced plays, musicals, and event theatre on Broadway, Off-Broadway, regionally, in the West End, and on tour. She is currently the Executive Director of The Playwrights Realm, an Off-Broadway theater company devoted to supporting early-career playwrights. Roberta is a guest lecturer at Yale School of Drama and as a Latinx producer, has been a speaker on the topics of producing and inclusion in the arts in multiple forums, including BroadwayCon, NYU/Tisch, Syracuse University, Juilliard, and Commercial Theatre Institute. She was featured in Backstage’s “Broadway Future Power List”, American Theatre’s “Role Call – People to Watch”, and on Playbill for her work as co-founder of the Artists’ Anti-Racism Coalition. Roberta is a graduate of Yale School of Drama’s Theater Management program and Wesleyan University. She is originally from Brazil and lives in New York City with her daughter.

    Lindsey Sag

    Lindsey Sag (she/her) is Deputy General Manager at Lincoln Center for the Performing Arts, a cultural and civic cornerstone of New York City. She supervises a staff of General Managers who collectively support LCPA’s programs and licensed activity at the venues across campus, as well as liaise with the 11 resident arts organizations including The Metropolitan Opera, Film at Lincoln Center, and The Juilliard School. Lindsey is also responsible for management of the newly reopened David Geffen Hall, home of the New York Philharmonic. Prior to LCPA, Lindsey worked at Manhattan Theatre Club, a not-for-profit theatre company, for over 22 years, having served as General Manager, Associate General Manager, and Company Manager for Stage I and Stage II. During her time at MTC, she worked on such award-winning productions as DOUBT, CHOIR BOY, SKELETON CREW, and PRAYER FOR THE FRENCH REPUBLIC. Lindsey graduated with a B.F.A. in Performance from the University of Miami’s Conservatory for Drama.  She lives in Montclair, NJ with her husband Michael Sag and their three children.

    Michael Sag

    Michael Sag (he/him/his), in his 6th season at WP, was most recently the general manager for Williamstown Theatre Festival’s 62nd season (2016) which included four world premieres (one of which, Martyna Majok’s Cost of Living, won the Pulitzer prize for Drama), one American premiere and two revivals.  Prior to that, Michael worked in commercial general management on and off Broadway since 2001 including production of: Rodgers + Hammerstein’s Cinderella, All The Way, Bullets Over Broadway, The Gershwins’ Porgy and Bess, Driving Miss Daisy, August: Osage County, The Producers, Hairspray, Little Shop of Horrors, Sweeney Todd, and Stomp.  In addition, from 2006 to 2009, Michael headed a representative office in Shanghai out of which several Asian touring projects were launched.  Michael is currently an adjunct professor at Montclair State University and serves as both the President of the Association for Non-Profit Theater Companies and of Congregation Shomrei Emunah in Montclair, NJ.

    Risa Shoup

    Risa Shoup (they/them/theirs) is a Co-Executive Director of the Alliance of Resident Theatres/New York, a non-profit cultural services organization representing non-profit theaters throughout New York City and State. Risa has worked as an administrator, curator, and leader in the arts in New York City since 2005 focusing on the development of affordable artist workspace. They have extensive experience executing high-level public-private partnerships for project-based work focusing on the intrinsic and instrumental impact of the arts on community development. Risa is proud to have worked with some of New York City’s most beloved cultural institutions including chashama, BRIC, The Invisible Dog, FABnyc, and Spaceworks. Risa was a consultant on CreateNYC, New York City’s first-ever cultural plan, developed in concert between a team of consultants led by Hester Street Collaborative and the New York City Department of Cultural Affairs. They studied City and Regional Planning at Pratt Institute and are also on the boards of the Invisible Dog Art Center, Naturally Occurring Cultural Districts—NY, The New Majority, and the American LGBTQ+ Museum. They live in Brooklyn with their wife, daughter and cat.

    Additional Links:

    Lincoln Center for the Performing Arts

    The Playwrights Realm

    WP Theatre

    For additional resources around caregiving, visit our valued partners at PAAL- Parent Artist Advocacy League for Performing Arts + Media, The National Network and Solutions-Generator for Caregiving in the Performing Arts + Media.

    “What’s Off?” Production Staff
    David E. Shane, Executive Producer
    Erica Wray Barnes, Associate Producer
    Ashley J. Hicks and Nicky Maggio, Line Producers
    Catalin Media, Audio Engineer
    Devon Adams, Art Director/Graphic Design

    If you’d like to receive new episodes as they’re published, please subscribe to “What’s Off?” wherever you get your podcasts. If you enjoyed this episode, please consider leaving a review. It really helps others find the show.

  • LYNNETTE TAYLOR // WARRIOR LOVE

    LYNNETTE TAYLOR // WARRIOR LOVE

    Episode 3: LYNNETTE TAYLOR // WARRIOR LOVE

    This is a political act. Interpreting for the theater is a political act. Sharing this space is a political act. We need to be in this conversation about what politics are being made.” – Lynnette Taylor

    As a CODA (Child of Deaf Adults), theatrical interpreter Lynnette Taylor grew up with sign language as her first language – her home language. When she moved to San Francisco to attend the Academy of Art, no one told her that she would be separated from her first language in an all-hearing environment. Lynnette realized something was off when she met a Deaf man looking for an interpreter to participate in the 504 Sit-in, a civil rights demonstration for disabled people. In that moment, her life changed forever. 

    Tune in to listen as Host Ashley J. Hicks chats with Lynnette about her origin story and how she combined her experience as a native signer and lover of the arts to create a robust career as a theatre interpreter. 

    An ASL interpreted version of of this podcast is available on A.R.T./New York’s YouTube page

    Lynnette Taylor

    Lynnette Taylor, BFA, CSC, brings her experience as a native signer and love of the arts to interpreted theatre to her teaching. She has interpreted over 100 Broadway and off Broadway shows that run the gamut from drama to comedy to musicals as well as interpreting behind the scenes for Deaf talent in Film,Television and Theatre. She was one of the curriculum developers and taught for over a decade at the national “Interpreting for the Theatre Seminar” held at the Juilliard School in New York City. She has published articles on interpretation and taught ethics and translation at LaGuardia Interpreter Education Program.She organized and co-moderated the Community Forums at the RID National Biennial Conference for 10 years. These past several years, she has been working with A.R.T./New York and Hands On, presenting workshops on interpreted theatre and is currently at work on a book about Interpreting Theatre with co-authors Stephanie Feyne and Candace Broecker- Penn, soon to be published. 

    As a filmmaker, her work has focused on Deaf artists in Ella Mae Lentz’s, The Treasure, and showcasing artists in, Language Landscape. She is an award winning stop motion animation filmmaker.

    Ashley J. Hicks

    Ashley J. Hicks (a.k.a. Ash, she/her) works currently as a Programs Coordinator for A.R.T./New York.  Ash is an actor, writer, solo performer & teaching artist. She received her MFA from the American Conservatory Theater (A.C.T.) in 2021 and was a participant in the 2022 Disney Television Discovers: Talent Showcase. To learn more about Ashley and her past/recent projects, please visit www.ashley-j-hicks.com

    Additional Links:

    Additional Links:

    An ASL interpreted version of of this podcast is available on A.R.T./New York’s YouTube page

    Learn more about Hands On Sign Interpreted Theatrical Performances!e Podcast – Dante Puleio and Michelle Preston

    “What’s Off?” Production Staff
    David E. Shane, Executive Producer
    Erica Wray Barnes, Associate Producer
    Ashley J. Hicks and Nicky Maggio, Line Producers
    Catalin Media, Audio Engineer
    Devon Adams, Art Director/Graphic Design

    If you’d like to receive new episodes as they’re published, please subscribe to “What’s Off?” wherever you get your podcasts. If you enjoyed this episode, please consider leaving a review. It really helps others find the show.

  • SITI COMPANY // THE SUN HAS SET

    SITI COMPANY // THE SUN HAS SET

    Episode 2: SITI COMPANY // THE SUN HAS SET

    “Trust your intuition. I knew [sunsetting SITI Company] was the right decision for this company much earlier in the process than others did. It took me a while to trust that intuition and to confidently say, I think this is the right thing for us to do.”  – Michelle Preston

    SITI Company was an ensemble-based theater company whose three components were the creation of new work, the training of theater artists, and a commitment to crossing boundaries. 

    In the Spring of 2023, Executive Director Michelle Preston, Producing Director Megan Carter, and Managing Director Brad Carlin sat down with David E. Shane to talk about the long road toward sunsetting the organization. They discussed how they went about supporting ensemble members through the grief of letting go of their life’s work, and crying onstage (and off!) with the company during their final bows. Tune in!

    Brad Carlin

    Brad Carlin:Brad brings 15 years of arts organization management experience to his new role with SITI. He is also a Senior Consultant with TRG Arts where he supports organizations of all disciplines and sizes in the US, Canada, and the UK. Prior to his work at TRG Arts, Brad was the Managing Director for the Fusebox Festival in Austin, Texas. Brad’s history with SITI company reaches back to 2001 as a theater student at St Edward’s University in Austin. His work with SITI evolved years later after earning his Masters of Arts Management degree from Carnegie Mellon University when he joined SITI Company as its Associate Managing Director. Brad left SITI to return to Texas in 2008 and now lives in rural England with his wife and daughter.

    Megan Carter

    Megan Carter: Megan E. Carter is a creative producer, strategy consultant, and dramaturg with a track record of sustained success in theatre, interdisciplinary performing arts and live events. Most recently, she led SITI Company, an award-winning theater ensemble, through a comprehensive legacy plan, archive process, and finale season. She is currently a creative consultant with A TODO DAR Productions on rasgos asiaticos, a performance installation by Virginia Grise and Tanya Orellana exploring migration, borders, and family. Megan has developed and produced new and classic works Off-Broadway, as well as internationally at theatres, venues, and festivals like The Fisher Center at Bard, BAM, City Theatre in Pittsburgh, Singapore International Festival of the Arts (SIFA), REDCAT (LA), Teatr Studio (Warsaw), Wuzhen Theatre Festival (Wuzhen, China), Under the Radar Festival, the Huntington Gardens (LA, site-specific), International Divine Comedy Theatre Festival at Małopolska Garden of Arts in (Krakow), the Walt Disney Modular Theater (LA), Classic Stage Company, Cherry Lane Theatre, WP Theater, the World Financial Center (site-specific). At WP Theater, she led the Lab for Directors, Playwrights, and Producers and managed new play development and commissions. Megan served as dramaturg on the American Premiere of Jackie by Elfriede Jelinek and has edited the English translations of a number of Jelinek’s plays, including Rechnitz and The Charges (The Supplicants). She has also edited the SITI Company anthology – SITI COMPANY: THIS IS NOT A HANDBOOK, coming out in 2023. Megan has been on faculty at the Brooklyn College, SITI Company Conservatory and California Institute of the Arts. She is currently on faculty at Primary Stages’ Einhorn School for the Performing Arts (ESPA). Education: MFA in Dramaturgy, Brooklyn College/CUNY; BA in Theatre, Centenary College of Louisiana.

    Michelle Preston

    Michelle Preston: Michelle Preston began her career in arts administration at the Columbus Symphony Orchestra before coming to New York City where she has worked with Urban Bush Women, Bill T. Jones/Arnie Zane Dance Company and the School of American Ballet. She began at SITI Company in 2012 as the Deputy Director and served as Executive Director from 2014-2022.  While at SITI, Michelle produced 9 world premieres, 17 domestic and international tours, and 5 New York City seasons. She also led the multi-year strategic planning process that resulted in the SITI Legacy Plan, a comprehensive set of activities meant to celebrate the accomplishments and preserve the legacy of the ensemble before the organized and intentional sunset at the end of 2022.  She joined the José Limón Dance Foundation as Executive Director in November 2022.

    David E. Shane

    David E. Shane is a director and arts administrator who is currently the Director of Program Services for A.R.T./New York where he sets the strategic vision and goals for a robust suite of programs serving nearly 500 of New York’s nonprofit theatre organizations and a growing number of individual members. Since joining the organization in early 2019, David has overseen the development of new adaptive programming such as a theatre-specific Sexual Harassment Prevention Training. As a director he specializes in the development and production of new work for the American stage and his credits include the Off-Broadway productions of Gidion’s Knot (Theatre Row,) Mare In The Men’s Room (Am. Theatre of Actors,) as well as the World Premiere productions of Who Is Theo?, Cookie Fight, and Elijah at the Bristol Valley Theater. Prior to joining A.R.T./New York, David held positions as the Program Director for StageSource in Boston, MA and Associate Artistic Director of the Bristol Valley Theater in Upstate, NY where he oversaw the funding and launch of the BVT New Works Initiative.

    Additional Links:

    SITI Company

    Conscientious Closing – a conversation with SITI Company Leadership

    Work. Shouldn’t. Suck. Podcast – Sunsetting Organizations

    Movers & Shapers: A Dance Podcast – Dante Puleio and Michelle Preston

    “What’s Off?” Production Staff
    David E. Shane, Executive Producer
    Erica Wray Barnes, Associate Producer
    Ashley J. Hicks and Nicky Maggio, Line Producers
    Catalin Media, Audio Engineer
    Devon Adams, Art Director/Graphic Design

    If you’d like to receive new episodes as they’re published, please subscribe to “What’s Off?” wherever you get your podcasts. If you enjoyed this episode, please consider leaving a review. It really helps others find the show.